Elena Cenarro

Tondo I

The painting is being offered with a work and authenticity certificate.

the painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate.

the painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Jeffrey Pitt’s intricate paintings evolved out of the artist’s desire to interpret culture based on artistic and ceremonial expression. With a B.A. in Anthropology, Pitt has a great ...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...