Elizabeth Gregory-Gruen

Abstract Metal Wall Sculpture: '4 Piece Circle-In #2'

2014

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

Klim’s mixed media work juxtaposes several materials on one picture plane highlighting their inherent qualities to create surface tension. A physical presence is apparent in her pie...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Elizabeth Gregory-Gruen’s Cut Work series is a free hand paper cutting process that charts the contours of our ever-changing emotional experience through the movement of form, line, ...

Elizabeth Gregory-Gruen’s Cut Work series is a free hand paper cutting process that charts the contours of our ever-changing emotional experience through the movement of form, line, ...

Step into a world where color, form, and movement converge in harmonious splendor with "Simulations," a mesmerizing 4-piece artwork by the Austrian contemporary artist, Nikolaus Koli...

Acrylic, enamel, metal and collage on canvas

Acrylic, enamel, metal and collage on canvas

Born 1952, Saint Simon, France Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player. After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms. In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future." Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture exhibition in Sydney, Australia), and Dag Hammarskjold...

Born 1952, Saint Simon, France Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player. After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms. In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future." Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture exhibition in Sydney, Australia), and Dag Hammarskjold...

Born 1952, Saint Simon, France Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player. After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms. In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future." Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture...