Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Emily Berger
Emily Berger, Pilgrim Spring, 2014, oil paint, wood panel

2013

About the Item

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes, incorporating the color, texture and pattern of the paper, linen or wood supports, concealing and revealing underlying layers in various states of transparence and solidity. Taking her time about where to make the marks and how to make them, adding and subtracting with brushes, rags, and sandpaper. She works with and against whatever happens as she is painting. Sometimes the linear marks go all the way across the page; other times she'll expose more of the surface and shape that is then created. Berger is endlessly fascinated by the variations that can occur in a simultaneously built up and pared down image. The artist works things out mentally and physically, in this abstract language of mark-making, where the painting is always in the process of becoming and there is evidence of the process. She allows for those moments where something new comes up, a spark of recognition. In the rhythm of the bands of paint there are spaces created, and variations in brushstroke which create movement, light, air and a broken symmetry. This is where Berger hopes the viewer can enter and experience the work, pay attention to nuance, slow down, move in and out of the painting and breathe. Biography Emily Berger was born in Chicago in 1953, and grew up in Massachusetts. She is an abstract painter who has lived and worked in Brooklyn, New York for 25 years. Her work has been exhibited internationally and nationally in many galleries, universities and museums, including the Museum of Modern Art in Bogota, Colombia, the Herbert F. Johnson Museum of Art at Cornell University in Ithaca, New York, Kent State University in Kent, Ohio, and the National Academy Museum in New York City which awarded her the John Hultberg Memorial Prize for Painting. Her work has been featured in many gallery exhibits, and been favorably reviewed in several publications. Berger is included in the American Abstract Artists 75th Anniversary Print Portfolio Exhibition, currently traveling to university galleries around the country. Berger received a BA from Brown University, an MFA in painting from Columbia University, attended the Skowhegan School in Maine and has been awarded several art residency fellowships. Her work is included in many private and public collections.
  • Creator:
    Emily Berger (1953, American)
  • Creation Year:
    2013
  • Dimensions:
    Height: 26 in (66.04 cm)Width: 22 in (55.88 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17221228543
More From This SellerView All
  • Emily Berger, Daylight Moment, 2014, oil paint, wood panel, Abstraction
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Oil, Wood Panel

  • Emily Berger, Samoset, 2014, oil paint, wood panel, Abstraction
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Oil, Wood Panel

  • Emily Berger, Swing, 2014, oil paint, wood panel
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Oil, Wood Panel

  • Emily Berger, Maya, 2014, oil paint, wood panel
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Oil, Wood Panel

  • Emily Berger, Ultra Pink, 2014, oil paint, wood panel
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Oil, Wood Panel

  • Emily Berger, Night Garden , 2015, oil paint, wood panel, Abstraction
    By Emily Berger
    Located in Darien, CT
    These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Oil, Wood Panel

You May Also Like
  • Screen tbd6 (abstract grid wood painting contemporary neutrals natural motifs)
    By Melisa Taylor Metzger
    Located in Quebec, Quebec
    In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Spray Paint, Wood Panel

  • Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece
    By Emilio Rodríguez Larraín
    Located in Soquel, CA
    Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...
    Category

    1960s Post-Minimalist Abstract Paintings

    Materials

    Oil, Board

  • Untitled
    By James Charles 3
    Located in Salt Lake City, UT
    Untitled, 2016, 10.25 x 16.25 x 1.25 inches (base), mixed media and metal, $900 James Charles’ minimal and monochromatic work has a boldness that intrig...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Metal, Wire

  • Untitled, from the Naissance Series
    By David Einstein
    Located in Lawrence, NY
    Note: Acrylic and sumi ink on yupo paper David Einstein's gestural abstraction has a semiotic quality to it. It is a study of how meaning is created, not what is. Indeed, the artist...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Acrylic

  • Wabi Sabi Gestures
    By David Einstein
    Located in Lawrence, NY
    David Einstein's gestural abstraction has a semiotic quality to it. It is a study of how meaning is created, not what is. Indeed, the artist calls himself "a mark maker," as much as ...
    Category

    2010s Post-Minimalist Abstract Paintings

    Materials

    Acrylic

  • Mysterious Red Planet Rises In The Sky Expresses Taoism Less Is More Spirit
    By Patrick Lee
    Located in Kuala Lumpur, MY
    Planet Series Patrick Lee states “when I do more art, more emotions as a result of minimalism.” Patrick Lee is inspired by freehand brushworks, one of revo...
    Category

    21st Century and Contemporary Post-Minimalist Abstract Paintings

    Materials

    Canvas, Acrylic

Recently Viewed

View All