Erin Rachel Hudak

Wild New World

2020

This painting depicts a beautiful, cool yellow, huge full moon rising over a body of water, possibly the ocean, or a very large lake. The reflections playfully ripple in the water wi...

This painting on panel is a playful repetition of colors and forms.

A celebration of spring returning to NYC, this painting sets the scene with washes of a red brick building, and thickly painted luscious green tree in the background. The older tree ...

Underwater, 2020, 12x9 inches, acrylic on wood panel Reminiscent of an underwater journey, this painting is an exploration of a garden that flows in and out with the tides. The neon yellow fades beautifully into stains of green, then light blue with tuberous biomorphic shapes in the foreground. Born in Stow, Ohio in 1978, Erin Rachel Hudak creates collages, paintings and installations that discuss ideas of freedom, power, perception and transformation. Hudak’s artwork is often inspired by her personal relationship with nature juxtaposed with various histories of "mans" relationship with ‘The Land’. Living in New York City has furthered her interest in the multiple intersections of the natural world within and around the city. Hudak has been awarded with grants for her public sculpture projects: See Thru, Brooklyn NY 2014 , What We See, Brooklyn, NY, 2012; Love You Forever, Sun Valley Idaho...

abstract NINETEEN Acrylic and collage on canvas 2018 36x48 Abstract NINETEEN NINETEEN is one of the largest paintings of this ever growing body of work by Aaron A. Young. Referencing the work of Sam Francis, Frankenthaller and deKooning, the abstract color fields and interrupted lines are meant to draw the viewer into the piece to find an ever evolving composition. Using a continuously changing palate of colors and a multitude of layers of paint and collage, the work conveys texture and weight derived from obliterating some details of the past while accentuating others. With this, the process of the piece is preserved, creating almost an archeological experience for the viewer; discovering details the deeper you look. Hard edges meet soft, spontaneous and organic drips of paint overlap with meticulously created linework. The typography of old newspaper is hidden, yet also framed, by brushstrokes making windows into the inner layers of the work. There is always something to discover. Aaron A. Young is a Queens, NY based abstract artist. Starting his ambition for painting with a Bob Ross Painting...

Map of Paris 2014 18.5”x20.5”x.75” inches oil and ink on canvas The painting, “Map of Paris”, is based off a popular postcard of Paris. By simplifying the city into a landscape of symbols, streets, and locations, the beauty and history of Paris replaced by a set of codes, creating both mystery and confirmation. Just as the Impressionists reduced their surroundings into a series of dots, this painting attempts to reduce the experience of Paris into a postcard map. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

Endless Night was painted by Troy Smith in acrylic on a Birch panel. The long arching palette strokes reach from one edge of the painting to the other. Blending only two colours, bla...

AUSPICE 2020 Paris, France An auspice is a ‘prophetic sign’ which the artist was inspired by. This textured, abstract piece features a lying skull, looking up to the sky...

THE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...

David B. Smith Gallery is pleased to present "RGBs and See I’m Okays," Los Angeles-based artist Emily Joyce’s second solo exhibition with the gallery. Presented in the gallery’s proj...

David B Smith Gallery is proud to present What Is Time Stretching And When Would You Use It?, the gallery’s second solo exhibition with Chicago-based artist Cody Hudson...

David B. Smith Gallery is pleased to present "RGBs and See I’m Okays," Los Angeles-based artist Emily Joyce’s second solo exhibition with the gallery. Presented in the gallery’s proj...