Frances Ashforth

Water Study 59

2017-2018

$3,500 plus $300 frame

$3500 + $300 frame

Artist's Statement: The contemplative nature of my work reflects both my practice of Eastern philosophy and my immersion in the history of modern and contemporary painting. The subje...

Michael Rich’s early years were spent in the shadow of the Blue Ridge Mountains and surrounded by the waters of New England. Graduate studies and later travels to Italy heightened an...

This series on paper, Topologies of Blue, possesses layers of delicate texture and structure in the blue tones, created through a process that combines inks, polymer paints, leaves, ...

Jaanika Peerna is an Estonian-born artist living and working primarily in New York since 1998 as well as in Berlin and Tallinn. Her work encompasses drawing, video, installation and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. She is often involved in collaborative projects working with designers, dancers and musicians. She has exhibited her work extensively in the entire New York metropolitan area as well as in Berlin, Paris, Tallinn, Helsinki, Venice, Rome, Dubai, Sydney, and Moscow. Her work is in numerous private collections in the US and Europe and was recently acquired by Fonds National d’Art Contemporain, Paris. Her work is represented in the United States by ARC Fine Art...

Jacques GERMAIN (1915-2001) Untitled Circa 1970 Dimensions: 25 x 18 cm Pencil on Paper Signed J.G Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Acad...

Katerina-Papazissi The Fall, 2016 Pasel on paper Her work constructs a universe where the body and nature, as well as inner reality, an inexplicable, overwhelming, material but...

Original abstract painting depicting the sounds of a bird flock. Nigel Bird has wonderful artworks for sale online and in our art gallery. Nigel Bird Studied Fine Art (Sculpture and ...

Duncan MacDonald Johnson A Cottage Garden in Monmouthshire Original Landscape Painting Watercolour Paint on Paper Image Size: H 56cm x W 76cm The work is sold mounted but not framed . Overall size with mount is H 73cm x W 94cm Sold Unframed The work is sold unframed although shown as framed in the photographs Please note that in situ images are purely an indication of how a piece may look. A cottage garden in Monmouthshire is an original landscape painting by Duncan MacDonald Johnson. The sunlight in spring brought out the richness of this garden in Monmouthshire in contrast to the farmland surrounding it. It was a joy to sit in this garden for two days and watch Spring bloom all around me. Duncan MacDonald Johnson Sun Setting Over Mwnt Original Watercolour Painting Watercolour on Paper Unframed size : H 56 cm x W 76 cm Overall size with mount is H 73cm x W 94 cm The work is sold mounted but not framed . Sold unframed The work is sold unframed although shown as framed in the photographs Sun Setting Over Mwnt is an original watercolour painting by Duncan MacDonald Johnson. This piece was painted on the cliff path from Aberporth to Mwnt in Ceredigion in 2015. It was completed in situ as the sun was setting. It is a quiet spot...

Blue sky over the loch by Natalie Bird [2022] original Pastel Image size: H:36 cm x W:28 cm Complete Size of Unframed Work: H:25 cm x W:20 cm x D:0.5cm Sold Unframed Please note tha...

Kenneth Rowntree Abstract Australian Landscape Watercolour 27.5 x 33cm Signed (top left) and dated ‘Kenneth Rowntree ’85’ Provenance: Anderson & Garland Studio sale of Kenneth Rowntree lot 263 Tuesday 8 September 2009 For biographical details and other works by Rowntree click here. Rowntree visited Australia in 1984/85. In this painting he picks up various vignettes from the Australian landscape in six separate blocks. Two relate to the sky, with almost-unbroken blue skies stretching from horizon to horizon, three relate to desert areas, with a whole array of different textures, and one is a luscious green. In one of the desert scenes he has picked out two road signs, in typical Rowntree fashion, reducing them to their simplest form. In her essay Kenneth Rowntree: A Strange Simplicity (published in Kenneth Rowntree A Centenary Exhibition Published by Moore-Gwyn Fine Art and Liss Llewellyn Fine Art, on behalf of the artist’s estate, on the occasion of the centenary of Kenneth Rowntree’s birth) Alexandra Harris makes reference to this painting noting: "Later, in 1986, just when the young David Hockney was collaging the signs and road-markings of Route 138 in Pearblossom Highway, Rowntree was in Australia painting yellow diamond-shaped road-signs as bright icons in open country. Wherever he went, Rowntree captured both the unfamiliarity of places and their relationship to things he knew. Heading into the Australian outback, he painted a road-sign as he would paint a rail signal at Clare in Suffolk or nautical markers at Swansea." Hockney’s 1986 Pearblossom Highway may be seen in the Getty and it is worth noting that Rowntree was in fact painting the yellow sign in 1985, so a year before Hockney. Kenneth Rowntree (1915-1997) Rowntree was born in Scarborough and educated in York where his father managed the local department store. Young Kenneth’s work was displayed there and his first major commission arose from an advertisement at the store. After the Ruskin School of Drawing in Oxford he studied at the Slade School, meeting Eric Ravilious and Edward Bawden and then moving to north Essex to work with them as members of the group of Great Bardfield Artists. Between 1940 and 1943 he was one of the team of over 60 artists engaged by the War Artists Advisory Committee for the ‘Recording Britain’ project, to record the face of England and Wales before wartime action – or development – changed it for ever. Rowntree’s keen sense of design, and fascination with the quirky and the vernacular made him an ideal candidate to interpret our built heritage’s more unusual aspects. In 1951 he painted murals in the Lion and Unicorn pavilion for the Festival of Britain, he decorated the route of the Queen’s Coronation procession (some of the works being acquired by Her Majesty). During a teaching job at the Ruskin School of Drawing in Oxford he was driven, perhaps by his experiences recording Britain, to record the decorated barges that belonged to the Oxford Colleges. These wooden Victorian ceremonial barges had belonged to the London livery companies, but were acquired in their later life by the Colleges to be used as changing rooms and clubhouses for the College boat clubs – depending on the size of the barge rowing eights were stored on board too. Part way through painting one of them Rowntree thought his drawing incorrect until he realised that it was the boat that was moving. It was in fact sinking. These days the Colleges have modern (but unromantic) boat houses; a handful of the barges remain – restored – in private hands. In 1959 he was appointed Professor of Fine Art at King’s College, Newcastle (latterly part of the University), which as British art schools went was one of the most progressive. The Master of Painting was the abstract constructionist Victor Passmore...