Francie Hester

Intertwined 20-13, small mixed media work on paper, blue and silver

2019

Acrylic, wax and aluminum leaf on paper. 15.5" x 15.5" framed. Shown at VOLTA New York 2020. Aluminum leaf shines in the light.

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering o...

Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering of fragmented and unfolding circles -- the underpinning for each piece -- defines a sense of deep and evolving space...

Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering of fragmented and unfolding circles -- the underpinning for each piece -- defines a sense of deep and evolving space...

Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering o...

Coming to her art career later in life, Katz is a self-taught artist who began painting over two decades ago in response to a personal tragedy. Since first picking up a brush, Katz has committed herself to her practice by studying with renowned artists such as Nicholas Wilton, Pamela Caughey...

Yum Three by artist Brenda Zappitell is a pink, blue, and grey, contemporary abstract made of flashe and Acrylic with cold wax on panel 60 x 60 and is priced at $16,000. Brenda Zapp...

Elyse Katz (b.1951) is a self-taught American artist residing in Newport Beach, California. Her works are abstractions inspired by the visceral recollection of her personal experiences. As such, she calls her paintings “landscapes of my inner world.” Fittingly, physical landscapes and architectural rhythm also fuel her creativity: urban and rural vistas as viewed from the air, for example, textures and colors of old weathered surfaces and the pattern of cobblestone, to name a few. Katz begins each painting without expectation of outcome, with mark-making and play, layers of acrylic paint and oil pastels and found materials - vintage text...

"Red Line" by Steven H. Rehfeld is a vibrant 48" x 36" mixed-media masterpiece that pulses with the raw energy and complexity of abstract expressionism. This artwork is a riot of tex...

Steven H. Rehfeld's '1994' is a versatile and dynamic 38" x 64" mixed media artwork that resonates with the spirited essence of abstract expressionism. The canvas is a symphony of co...

JOSÉ PALACIOS Spanish, 1970 - CENTINELA signed "JOSÉ PALACIOS" (lower right) signed again "JAPALACIOS" (on the reverse) acrylic, spray, wax and graphite on wood panel 39-1/2 X 39-1/2 inches (100 X 100 cm.) unframed. CENTINELA A window to a park, or an important avenue of a large city can be a source of inspiration to create works of art. The behaviors of our peers give rise to creating stories that can be reflected in music, cinema and of course, in a painting. José Palacios was born in 1970. Influenced by the Spanish artists of the 80s belonging to the Madrid Movement, he began his artistic career linking the world of Painting and Illustration. Years later, Palacios developed a figurative style combining neo-cubism and pop art. His current work is based on a combination of abstraction with pop art winks made with a palette of refreshing and bold colors. His works are present in different private collections in Europe, United States and Asia. José Palacios work has been exhibited at Wanrooij Art Gallery (Amsterdam, Holland), Bridge Gallery (Beijing, China), Art Angler Gallery / New York, USA), Plastique Art Gallery (Madrid), Actual Arte Contemporáneo & Galería Luis Carvajal...