G. Campbell Lyman

"Pilgrimage" - Contemporary Multimedia Abstract Painting

2020

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement "This is a painting I made in the 90's, before my forms became more biomorphic. I was exploring simple geometric forms but with extremely complex surfaces, using ...

Part of the current series of paintings using tar and house paint in addition to more conventional artists' media such as oil and acrylic. Artist's Statement: "I have been making t...

From the recent series combining tar with oil and acrylic, a painting using a limited palette to powerful effect. Artist's statement: "After a period of making big, colorful acrylic...

Part of the current series of paintings using tar and housepaint in addition to more conventional artists' media such as oil and acrylic. Free shipping on this piece: Artist's State...

Shitomi Murakami Shitomi Murakami was born in 1941 in Osaka, Japan 1964 Graduated from Musashino School of Fine Arts, Tokyo. 1964-70 Laboratory of Scenographic Research of the Unive...

The Forgotten America. Mixed Media oil paint, tar, gravel. metal, resin on wood panel artist unique style and technic, the frame is part of the artwork. Randi Grantham...

Leslie Zelamsky’s “Leftovers” exudes glimmering lights and rich darks. Its three dimensional surface is rich and tactile, which derives from the use of...

Leslie Zelamsky's "Point of Departure 2" is a 42 x 42 x 2.75 inch mixed-media painting on wood panel. This abstract painting contains an assortment of ...

“What Remains?” is a mixed media painting by Leslie Zelamsky. Its neutral color palette and lush surface have an earthy quality. The three dimensional ...

A playful acrylic and pastel on tar paper by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the ...