Enzio Wenk

"Tre teste" by Enzio Wenk, 2019 - Acrylic Paint on Canvas, Neo-Expressionism

2019

Acrylic paint on masonite. The frame was painted by the artist.

Translated title: "Round pale blue face" Acrylic paint on paper. The frame has been painted by the artist.

Acrylic paint on masonite.

Translated title: "Without narration - 4" Acrylic enamel on canvas.

Translated title: "Without narration - 2" Acrylic enamel on canvas.

Translated title: "Without narration - 1" Acrylic enamel on canvas.

Mahault Maréchal est une peintre Française basée à Paris. Ses formes libres et ses personnages, pleins de vie narrent avec humour sa vision de la condition humaine.

Peinture acrylique sur toile par l'artiste française Camille Cottier. Ses “bonhommes”, aux visages honnêtes, sont le reflet de sentiments universels: la solitude, l’amour, l’attente...

It's long believed that "the machine" is capitalism and the oppressive structures at the highest levels of society. Renegade artist Basquiat became drawn into this machine and became...

A wonderful composition of one of Slonem's most iconic subjects of Abraham Lincoln. The thick use of paint is greatly recognizable as he slathers on layer after layer of oil paint, d...

"Simulacrum" is a commentary on the intricate interplay between the real and the digital, the tangible and the virtual. It is an invitation to question the authenticity of the experi...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...