Huê Thi Hoffmaster

Rather be Levitating No. 3: Colorful Abstract Expressionist Painting on Canvas

2020

Square, abstract expressionist oil painting on canvas in light blue, paynes grey, periwinkle blue and green against a pale grey background with accents of peach 'Arrow' by Jenny Nelson Oil on canvas, made in 2019 30 x 30 x 2 inches unframed sturdy wooden stretcher bars, signed on reverse wire and d-rings for easy installation This square abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2019. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of light blue, payne's grey, periwinkle and green. The contrasting patches of peach and dark blue beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The square oil painting is unframed and has sturdy wooden stretchers. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. Resume: Solo Shows: 2016 Solo Exhibition, Hidell Brooks Gallery, Charlotte, NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2017 Abstractions, Carrie Haddad Gallery, Hudson, NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art...

oil on canvas on unique artist made stretcher 36 x 74 inches This curved canvas was painted by abstract artist Christopher Engel in 2006. The abstract expressionist style painting contains dramatic splashes of dark umber against a vivid orange and yellow background. A sturdy wire spanning the back of the painting provides for instant, professional-quality hanging. Christopher Engel is represented by Carrie Haddad Gallery based in Hudson, NY. Artist Statement: The Fan Shaped Paintings evolved from the process of mixing paint in paper coffee cups. As I noticed the intriguing arrangement and patterns of color and shapes in the mixing cups I began to set the cups aside to save those images. Years later, I began unfolding the stacks of cups I had saved to see the images and patterns of color. I was also attracted to the fan-like shape of the opened cups. The spontaneous nature of the color and shapes on my palette of “coffee cups” became the genesis of the creation of the Fan Paintings. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert...

30.5 x 24.5 inches oil on stretched canvas Wired to hang as a vertical painting This medium size abstract vertical palette has a serene palette of sage green, creamy white and pale peach. Gestural strokes of subdued colors are woven together with a watery sensibility, one flowing into the next, the paint allowed to drip down the surface of the canvas. About the artist: Calm and confident brush strokes sweep over each painting by Christopher Engel. His work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable reach into the third dimension. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. “I was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes, and elements on the periphery,” he states, “everything worked to define the space that contained and moved me.” Engel currently works out of a studio near Roxbury, NY, where a pellet stove...

Vertical abstract expressionist oil painting on canvas in earthy shades of sky blue and Payne's grey, with accents of green and peach against an off-white foreground 'When the Tide Goes Out' painted by Hudson Valley artist, Jenny Nelson, in 2022 Oil on canvas 60 x 54 x 1.5 inches, with white painted sides Excellent condition, ready to hang Signed, verso This abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2022. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of dusty blue, stone blue, and green. The contrasting patches of pale pink and peach pop against the subtle pale beige and light blue background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides, so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox...

30.5 x 24.5 inches oil on canvas sides of canvas are painted Wired to hang as a vertical painting Engel breathes new life into a refurbished older painting with this vertical abstract expressionist style painting titled Blue Arc. New layers are imposed on old, the remnants of the under layers remain, adding depth to fresh coats of paint. Gestural strokes of teal green, neon poppy pink, sunny yellow and royal blue create the color scheme as the artist elegantly weaves each bold color into a web that is at once saturated yet distinct. About the artist: Calm and confident brush strokes sweep over each painting by Christopher Engel. His work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable reach into the third dimension. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. “I was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes, and elements on the periphery,” he states, “everything worked to define the space that contained and moved me.” Engel currently works out of a studio near Roxbury, NY, where a pellet stove...

Square, abstract expressionist oil painting on canvas in aqua, teal, blue, and green against pale grey with accents of yellow, peach, and mauve 'Delta' by Jenny Nelson Oil on linen, ...

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