Jae Carmichael

Carmicael Graphic Oil Painting

1949

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...

In this composition, Californian artist Wesley Johnson invites us to contemplative stillness. The abstract essence of this work flourishes into a living entity, enriched by a blend o...

In this oil painting on thick paper, the Armenian artist Vahan Yervandyan presents an abstract composition that ignites a dialogue between two opposite worlds. The interplay of form ...

This black and red abstract oil painting features red and orange splashes of paint overlaid on a black background. The vivacity and life force evoked by the artwork makes it a captiv...

This piece is one of his rare painting which does not features women. Neil Nagy was born in 1941 in the East Los Angeles Latino community of El Sereno. He is a figurative expressionist painter who draws upon the single, powerful human form as a way to explore the humanistic, personal, and spiritual paths. Nagy's inspirations have continually evolved. He came to appreciate the culture and art of Mexico as he traveled extensively to embrace the colorful life of the people and the country and to study ancient Mayan civilizations. He is also influenced by the work of Rembrandt. Constable and Turner. Nagy received his education at San Jose State College for Industrial Design and Art and later at the Instituto Allende in San :Miguel Allende...

Artists have used their creative expression to cope with the collective trauma of the Iraq War, often in ways that are deeply personal and meaningful. They have created works that evoke feelings of anger, sorrow, hope, and dread which are difficult to express through words alone. Their works raise questions about the existential struggle faced when attempting to make sense of tragedy on a global scale. Since the 1970s, Doug Edge...

Oil on academy board by the Russian/American artist Nahum Tschacbasov. Signed and dated lower left, 1945. Condition: Excellent. Presently not framed. Biography : Russian-America...

Mid Century Modern Oil Painting Canvas 48 x 71" Teal Pink SPECIFICATIONS: - Fine art canvas - Professionally hand stretched over 1 ½" deep wood stretched bars. The edges are painted...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Original vintage painting of a Lightning Storm, Southwestern Mountain Landcape. Oil painting on textured board by Morton Lawrence Schneider (1919-2000). This large scale semi abstrac...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Abstract Street (Untitled), 1939, oil on canvas, signed and dated lower right, 12 x 32 inches; provenance includes a private collection in Venice, California; presented in what is likely the artist's original handmade frame About the Painting The present work is the culmination of a series of mainly horizontal urban abstractions Harari completed between 1937 and 1939. Deeply influenced by Stuart Davis, Harari’s New York streetscapes began with clearly recognizable objects and landmarks as in Into New York (1937 - Collection of the Whitney Museum of American Art), New York Harbor (1937), Up and Downtown (1938), and his other mural proposals for the Nurses Home on Welfare Island (1937) and the Williamsburg Housing Project (1938). At the end of the series, Harari’s vistas became increasingly abstract with broad planes of color representing buildings and streets, the slightest cross-hatching forming a bridge or elevated train track and the vague suggestion of a streetlight looping in the right center of the composition. Figures, birds, and a street vendor’s cart are reduced to pictograms scratched into the surface of the canvas. Abstract Street (Untitled) is among Harari’s most spare works of the 1930s and 1940s and calls to mind the seemingly childlike, but deeply sophisticated works of Paul Klee from the 1920s. It serves as an excellent reminder of why Harari was heralded as one of the earliest members of the American Abstract Artists. About the Artist Hananiah Harari was an artistic polyglot who was equally at home working in styles as diverse as Cubism, Constructivism, Expressionism, Hard Edged Abstraction and trompe l’oeil Realism. A native of Rochester, New York, Harari initially studied as a child at the Memorial Art Gallery in his hometown and later as a scholarship student at the College of Fine Arts at Syracuse University. In 1932, Harari left for Paris where he befriended Nahum Tschacbasov, Benjamin Benno and John Graham and studied at the ateliers of Lhote, Leger and Gromaire. He also studied fresco painting at the Ecole de Fresque. By 1933, Harari had completed enough work and gained a sufficient reputation to have a solo exhibition at the American Club in Paris. The following year, Harari and his childhood friend and fellow artist Herzl Emanuel traveled to Palestine, where the artists worked hard in the orchards and fields of Kibbutz Deganiah, but produced little art. After returning to New York, Harari married Emanuel’s sister, Freda, and set out on the development of what noted scholar Gail Stavitsky has called an “original synthesis of the old and new." Harari became an early member of the American Abstract Artists (AAA), an organization formed to give modernists exhibition opportunities. Harari was also a member of the socially conscious Artist’s Union and the American Artist’s Congress. From 1936 through 1942, Harari worked on the Federal Art Project and assisted Marion Greenwood on a project as part of the Mural Division, but to his disappointment did not lead his own project. During the late 1930s and early 1940s, Harari completed a series of paired paintings with the same subject matter depicted in a Cubist manner and in trompe l’oeil Realism. Harari was acclaimed by Clement Greenberg and six of the artist’s works were selected for the Museum of Modern Art’s important 1943 exhibition American Realists and Magic Realists. During World War II, Harari served in the US Army Air Corps. Following the war, Harari continued to produce fine art while also producing commercial art. During the McCarthy Era, Harari’s progressive politics and leftist leaning art...