Jennifer Hornyak

Diptych in Blue and Green - small ochre, cyan, abstract collage and oil painting

2014

Horses and riders swirl in this dream-like narrative in brilliant yellow, orange nad indigo by Andrew Lui. The artist creates fluid lines using ink and acrylic on rice paper that is ...

In this magnificent sensual abstract painting by Andrew Lui, grand gestural brushstrokes create nude human figures who appear to emerge from a riot of colour. In 'The Tall Ladies', t...

Existing in an amorphous space between abstraction and figuration abstract artist Andrew Lui paints with the fluidity of eastern calligraphy. Brilliant and energetic strokes of yello...

Dynamic black and gray strokes of acrylic paint give the impression of galloping horses in this abstract painting by Andrew Lui. Lui continues to use the expressive and elegant movem...

Abstract artist Andrew Lui’s ethereal work is rooted in history; that of his own in China and the world around him. Lui’s fluid lines and vivid colours were influenced by his love of...

This large scale dynamic gestural painting in grey scale is part of Andrew Lui's ‘Pilgrims Progress’ series. The painting depicts a horse and rider, a metaphor for the human journey ...

Cosmas and Damian is an original painting realized by the Italian artist Salvatore Travascio in 2012. This beautiful artwork is a diptych in oil pai...

Leslie Zelamsky's "Four by Four" is a 33 x 33.5 inch mixed media painting on 16 connected 8 x 8 inch wood panels. Each individual square contains a sed...

Oil paint and collage on wood panel Unique work Hand-signed lower right by the artist

Loy Luo is a Chinese artist based in New York. She received a Master's Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Beijing Institute of Science and Technology Management from 2010 to 2012. Though Luo's main focus has been painting and sculpting, she is also a conceptual and performance artist...

"Ghosts" - Abstract Composition in Acrylic, Oil, and Ink on Cradled Wood Panel Dramatic abstract composition by Michele King (American, b. 1962). This piece resembles a nebula, with swirling texture and subtle variations in color. Although the piece appears to be mostly black, there are a variety of colors that peek through the top layer. A layer of high gloss varnish creates a nearly iridescent quality to the piece, and the colors shift subtly depending on the viewing angle. Signed "Michele King" on verso. No frame, but the edges are painted for a frame-less display. Board size: 24"H x 24"W Michele King (American, b. 1962) was born in Cleveland, Ohio and moved to California in the 1990s. She attended Virginia Tech and Harvard, where she earned her MPA. She pursued graduate studies at the Glasgow School of Art in 2013. Her work is focused on “memory, the future, and ways in which perception is shaped through a combination of reality and imagination.” King’s process involves layering of various media, creating depth and texture. AWARDS and RESIDENCIES 2019 Individual Artist Grant, Center for Cultural Innovation, San Francisco CA 2017 Creative Research Grant/Artist-in-Residence, Jiwar Creació i Societat, Barcelona, Spain 2014 Development Grant, Bay Area Video Coalition, San Francisco CA 2013 Individual Artist Grant, Center for Cultural Innovation, San Francisco CA 2012 Artist-In-Residence, Can Serrat, El Bruc, Spain 2010 Artist-in-Residence, Red Cinder Creativity Center, Na’alehu, Hawaii 2008 Artspan Selections (Juried), LIMN Gallery, San Francisco CA 2007 Studio Grant/Artist-in-Residence, Red Ink Studios, San Francisco CA (2 years) 2007 Cultural Exchange Invitational, Le Genie de la Bastille, Paris, France 1999 Emerging Artist Award, 42nd San Diego Art Institute, San Diego CA SELECTED EXHIBITIONS and PROJECTS 2019 Infinite Sketch Installation, Brooklyn Art Library, Brooklyn, New York The Happiness Project Interactive Installation, Oakland Murmur, CA Love is Thicker, site specific installation, TBA 2018 Poetics of Light, Avenue 12 Gallery, San Francisco, CA (with Truong Tran) Exhibition Gràcia Plaça de la Vila, Barcelona Spain (with Elfi Gulen & Isador Fernandez) Urban Mobility Archive Project/Color of Belonging, Barcelona, Spain (with Jiwar) 2017 Stanford Urban Resilience Lab Collaboration, ELL Gallery & Stanford University Animate Objects, Curated State Pop-Up Exhibition, San Francisco, CA Familiar Distance, 123 Bolinas, Fairfax, CA (solo) Art for AIDS, Metreon, San Francisco CA 2016 Altered BooksMarks, Adobe Backroom Gallery, San Francisco, CA (co-curator) Daylighted Projections Exhibition, Phoenix Hotel, San Francisco CA Levi’s Vintage Textile Workshop, Monterey CA (assisting Sherri Wood) Aesthetics and the Night Sky, San Juan Bautista, California The Essence Library, San Francisco Art Institute ACE, San Francisco, CA 2015 Form + Substance, Curated State, San Francisco, CA Under the Moon, Avenue Gallery, San Francisco, CA (with Michelle Brandemuehl) 2014 After Dark, SOMArts Ramp Gallery, San Francisco, CA (solo/installation) 2013 The Telephone Project, Brooklyn NY/global (with Satellite Collective) 2012 The Lost and Found Project, Can Serrat AIR, El Bruc Spain Eyes Closed, Can Serrat International Art & Music Festival, El Bruc Spain Here/Now Auction, Royal Nonesuch Gallery, Oakland, CA 2011 Can’t Trace Time, Mina Dresden Gallery, San Francisco, CA (with Andrzej Karwacki) Live Paintings, Red Poppy Art House, San Francisco, CA (with Adrian Arias) The Magic Hour Installation, Columbia Collaboration Lab, New York NY Angry at the Movies...

This abstract painting by Ned Martin is made with oil paint and recycled aluminum on board. It features a grid composition with a light layers of blue, black, and silver paint, with ...