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Joanne Freeman
Covers 18-Orange (A)

2014

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  • Joanne Freeman "Squares and Strokes_8" Gouache on Handmade Paper
    By Joanne Freeman
    Located in New York, NY
    My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Gouache, Handmade Paper

  • Joanne Freeman "Squares and Strokes 10" Gouache on Handmade Paper
    By Joanne Freeman
    Located in New York, NY
    My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Gouache, Handmade Paper

  • Joanne Freeman "Squares and Strokes 5" Gouache on Handmade Paper
    By Joanne Freeman
    Located in New York, NY
    My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Gouache, Handmade Paper

  • Ana Zanic "Viridis (W-2020-8-18)" -- Abstract Watercolor Painting on Paper
    By Ana Zanic
    Located in New York, NY
    Ana Zanic Viridis (W-2020-8-18), 2020 watercolor on paper 22 x 30 in. (zan199) This contemporary abstract watercolor painting features large, gestural strokes of transparent green a...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Watercolor, Handmade Paper

  • Ana Zanic "Viridis (W-2020-8-19)" -- Abstract Watercolor Painting on Paper
    By Ana Zanic
    Located in New York, NY
    Ana Zanic Viridis (W-2020-8-19), 2020 watercolor on paper 22 x 30 in. (zan198) This contemporary abstract watercolor painting features large, gestural strokes of transparent green a...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Watercolor, Handmade Paper

  • Laura Fayer "Small Work #2" -- Abstract Painting on Panel
    By Laura Fayer
    Located in New York, NY
    acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of deep turquoise, gray, and white. Fayer's mixed media paintings...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Acrylic, Mixed Media, Panel, Rice Paper

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  • David Ambrose, Lemon Circuit Breaker, 2017, Watercolor, Gouache, Handmade Paper
    By David Ambrose
    Located in Darien, CT
    David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...
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    By David Ambrose
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    David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...
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    By David Ambrose
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  • David Ambrose, Tropical Revival, 2017, Watercolor, Gouache, Handmade Paper
    By David Ambrose
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    David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...
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  • Green Bricks, abstract geometric painting, grid
    Located in New York, NY
    Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
    Category

    2010s Abstract Geometric Abstract Paintings

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