Untitled (Bay Area Figurative San Francisco California artist)
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 9
John HultbergUntitled (Bay Area Figurative San Francisco California artist)1964
1964
About the Item
- Creator:John Hultberg (1922 - 2005, American)
- Creation Year:1964
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU24521878133
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2007
1stDibs seller since 2015
322 sales on 1stDibs
Typical response time: 5 hours
More From This SellerView All
- Symphonic FormsBy Benny CollinLocated in Wilton Manors, FLStunning Synchromist abstract by Danish/American artist, Benny Collin (1896-1980). Symphonic Forms, 1955. Oil on wood panel measures 22 x 29 inches. Measures 24 x 31 inches in custo...Category
Mid-20th Century Abstract Geometric Abstract Paintings
MaterialsOil, Wood Panel
$3,200 Sale Price20% Off - Untitled (Hard Edge minimalist abstraction)By Edward LandonLocated in Wilton Manors, FLEdward August Landon (1911-1984). Untitled, ca. 1960. Oil on wood panel, 4 x 4 inches. Measures 7 x 7.25 inches framed. Signed lower right. Excellent condition. Minor staining in matting. Birth place: Hartford, CT Death place: Hartford Addresses: NYC, 1947; Weston, VT, 1973 Profession: Printmaker, painter Studied: Hartford Art School; ASL; also with Carlos Merida, Mexico. Exhibited: S. Indp. A., 1940; Nat. Serigraph Soc., 1940-60; Am. Color Print Soc. Ann., 1945-65; Northwest Printmakers Ann., 1950-60; U.S. Info Agency Int. Circulating Exhib., 1952; Boston Printmakers Ann., 1955-70; nationally in print exhibs., since 1941; Doris Meltzer...Category
Mid-20th Century Abstract Geometric Abstract Paintings
MaterialsWood, Oil
$960 Sale Price20% Off - Industrial CompositionBy Murray HantmanLocated in Wilton Manors, FLMurray Hantman (1904-1999). Industrial Composition, c.1948-50. Oil on canvas measures 18 x 24 inches, 19 x 25 inches in original simple wood strip frame. Signed lower right. Excellent condition with no conservation. Exhibition label affixed en verso. Provenance: estate of Murray Hantman. This piece was included in the exhibition Murray Hantman: From Image to Abstraction, Portland Museum of Art, 2005. Anonymous lender. Biography: Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War. As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad office in New York City finally allowed Hantman to pursue his artistic studies in a formal way. In 1928, he enrolled in the Art Students League and became part of a social circle of artists and activists. While at the Art Students League, Hantman worked with faculty members Boardman Robinson and Thomas Hart Benton on two mural projects. During the years around the Great Depression, Hantman worked in Los Angeles with a group of artists known as the Bloc of Painters. Recruited through an advertisement to attend a course on fresco painting, the Bloc group was headed by Mexican muralist David Alfaro Siqueiros who had recently been exiled from Mexico for political activism. Through his work with Siqueiros, Hantman became motivated by social and political issues and their creative expression. In 1934, Hantman returned to New York and found the community of artists there equally engaged in social justice issues. While enrolling at the newly-formed Artists’ Union to advocate for the labor rights of creative workers, Hantman met sculptor Jo Levy who would become his wife. Like many artists at the time, Hantman found work through the Federal Art Project as a member of the Easel Painting Division which strove to create “works of art for the public which have a definite social value to the community”. (1) Along with the work he exhibited as a member of the WPA group, Hantman’s personal work from this period was in the style of Social Realism he learned from Siqueiros. Hantman and his wife, Jo Levy, believed in creating art for the public good. Their Artists’ Union friends and colleagues from the Federal Art Project formed the nucleus of their social circle and would become the community of artists who worked together during summers on Monhegan Island off the coast of Maine. In 1945, Hantman had his first solo painting show at Marquie Gallery in New York, and visits Monhegan Island for the first time. The following summer, he and Levy spend the summer in Maine, and would continue to do so for the next thirty years. The landscapes and seascapes of Maine would become a central subject in his work after 1946. The dramatic coastline of Monhegan Island had been inspiration for other New York artists before Hantman, including George Bellows and Rockwell Kent. As Hantman matured as an artist he began to reject academic narrative in his work, moving towards a more expressionistic and abstract style. During this shift into abstraction, nature remained central to his work and the seascape and Maine light provided continual inspiration. In the late 1940s, Hantman begins to reduce the landscape into elemental forms of color and shape. As he pursues this mode of painting his work moves further into abstraction, juxtaposing large blocks of saturated color to convey the drama of sea and sky. Always a student and teacher, Hantman distilled the ideologies of Abstract Expressionism and synthesized its concepts into his own work. Throughout the 1950s, he experimented with Action Painting, color, form and expression. By the late 1950s, Hantman’s mature style had developed into abstract works of pure color masses in simple geometric forms. His mastery of color and form continued into his late work, always reflecting the beauty of the natural world around him. Dedicated to the idea of exploration in his art, Hantman made hundreds of small color and form studies that hint at the large-scale works that would follow in the late 1960s and beyond. Hantman’s work from the ‘70s and ‘80s shows even more intensity of color and distillation of composition. The landscape of the Maine coast remained his muse throughout, the stark lines suggesting the flat plane of sea and horizon line beyond. Hantman and Jo Levy lived in New York and summered on Monhegan Island until 1975, followed by summers in Owls Head and New Harbor...Category
Mid-20th Century Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
$3,200 Sale Price28% Off - Composition 209 (Abstract Bauhaus painting)By Werner DrewesLocated in Wilton Manors, FLWerner Drewes (1899-1985). Composition 209, 1939. oil on canvas, 20 x 24 inches; 28 x 32 inches in original frame. Signed and dated with artist monogram lower left and again on verso...Category
Mid-20th Century Abstract Geometric Abstract Paintings
MaterialsLinen, Oil
- Untitled, #36 (abstract expressionist painting)By Esteban VicenteLocated in Wilton Manors, FLEsteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....Category
Mid-20th Century Abstract Expressionist Abstract Paintings
MaterialsGouache
- Portrait of a Young WomanLocated in Wilton Manors, FLSylvia Bernstein (1918-1990). Portrait of a Young Woman, ca. 1960. Gouache on paper, image measures 9.5 inch h.., 10 inches w. ; 17 x 17 inches framed measurement. Signed lower right. Excellent condition. Born : New York City Education : National Academy of Design Exhibits (group) Juried Shows at : Allied Artists; Audubon Artists; National Society of Painters in Casein; Hudson River Museum; Butler Institute of American Art; Portland Summer Art Festival; Columbia Painting Biennial; Columbia Museum; Riverside Museum; Brick Store Museum; First National Exhibition of American Art, Chautauqua, New York; New York City Center; Pennsylvania Academy of Fine Arts; Philadelphia Watercolor Annual; Brooklyn Museum International Watercolor Exhibition; Art-USA; J & M Ringling Museum; 9th Annual American Watercolor Traveling Show; Whitney Museum of American Art; Parrish Museum; American Academy of Arts and Letters; Wadsworth Atheneum. Solo Exhibits 1956 Ruth White Gallery; 1959 Ruth White Gallery; 1959 Silvermine Guild of Artists; 1960 Ruth White Gallery. Awards : National Association of Women Artists, 1954, 1957; New York City Center 1956; 1957 Honorable Mention National Arts Club, Allied Artists, Jane C. Stanley Memorial Award, Grumbacher Award in Watercolor at New England Painting...Category
Mid-20th Century Abstract Abstract Paintings
MaterialsGouache
You May Also Like
- Untitled 12 - Abstract Gouache on PaperBy Dmitry SamyginLocated in Paris, FR"Untitled 12" is a gouache on paper by contemporary Russian artist Dmitry Samygin. Minimalist and geometric drawings.Category
21st Century and Contemporary Abstract Geometric Abstract Drawings and W...
MaterialsGouache
- Abstract Gouache N.4 by Dmitry SamyginBy Dmitry SamyginLocated in Paris, FRAbstract Gouache N.4 by Dmitry Samygin Minimalist and geometric paintings. Technique: Gouache Color: Black Size: H. 30 x 21 x 0.1 cm Dmitry Samygin is a Furniture and Product De...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsGouache
- Untitled 13 - Abstract Gouache on PaperBy Dmitry SamyginLocated in Paris, FR"Untitled 13" is a gouache on paper by contemporary Russian artist Dmitry Samygin. Minimalist and geometric drawings.Category
21st Century and Contemporary Abstract Geometric Abstract Drawings and W...
MaterialsGouache
- "Wireframe Blue Cone" Minimal Abstract Painting on Paper, Blue Still Life LineBy Amanda AndersenLocated in Hamburg, HHGeometric abstract painting made in 2020 by Amanda Andersen, initialed on the back. This piece is from a body of work inspired by ordinary object arrangements such as table-top still...Category
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Acrylic, Gouache
- "Vertical Plane III" abstract painting on paper geometric, stacked shapes brightBy Amanda AndersenLocated in Hamburg, HHOne in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...Category
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Acrylic, Gouache, Color Pencil
- "Vertical Plane II" abstract painting on paper geometric, stacked shapes brightBy Amanda AndersenLocated in Hamburg, HHOne in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...Category
2010s Abstract Geometric Abstract Paintings
MaterialsPaper, Acrylic, Gouache, Color Pencil
Recently Viewed
View AllMore Ways To Browse
Vintage Bay Window
B Altman Vintage
New Gold Daytona
Retro B Altman
Mma Metropolitan Museum Of Art
Getting Ready
Houston Museum Of Fine Arts
Frame Tv
New York At Night
Seattle Painting
Framed Abstract Small Paintings
Reflection Series
Retro Space Painting
Hudson New York
Japanese Yellow
Modern Mexican Painting
Large Red Abstract
Blue Minimalist