John Moyers

Stop, Look and Listen

Circa 1960

This stunning and sophisticated oil on canvas painting, entitled "Abstract Hilltop" was realized in the United States, circa 1960. It features an array of color blocks in tones of ch...

This sophisticated abstract painting was realized by the esteemed Mid Century artist, Jen Brisson in 1961. It features an abstract grid like composition created by intersecting verti...

This sophisticated and large scale Mid Century Modern abstract expressionistic oil on canvas painting was realized by the esteemed 20th century visual artist and filmmaker Gino Hollander (1924-2015), in the United States in 1974. In dialogue with other canonized visualized artists of the period, most notably Joan Mitchell, this painting offers a dynamic composition in an understated and vibrant palette using a variety of painterly techniques. Executed in predominantly in grisaille and flaxen hues with ecru and amber accents, the composition features turpentine rivulets of running pigment; chunky blocks of paint rendered with a palette knife; and delicately applied brush strokes against a painted white background. The result is a captivatingly layered work that offers sustained visual pleasure and abundant visual discoveries. The solid white background adds negative space but also breath and depth to the composition. Full of verve and dynamism- and exhibiting masterful paint handling-, this painting embodies the qualities that discerning collectors of Abstract Expressionism (and modern art in general) absolutely adore. It would be a winning addition to any style of interior from classic Mid Century Modern to contemporary. It is signed and dated by the artist, and is in excellent vintage condition. The work comes presented in a custom black inked gallery frame. Gino Hollander was born in the New Jersey in 1924 and attended Rutgers University as well Hobart and William Smith College. He had two very different careers before he began painting – the first as part of the U.S. Army’s Mountain Division Ski Troop, and the second, an award-winning director and documentary filmmaker. Demonstrating his artistic versatility, Gino Hollander took up painting in 1960. From 1960 to 1962, Gino ran his first Hollander Gallery...

This sophisticated Mid Century Modern painting was realized in the United States in 1972. Brimming with dynamic energy and verve, this work offers a vibrant abstract expressionist co...

This stunning acrylic on birch/mahogany painting was realized by the celebrated American painter Jim DeFrance in the United States in 1987. It features ov...

This sophisiticated oil on canvas work was realized by the esteemed Bay Area artist Tom Holland circa 1961, and boasts a prestigious provenance from the Stanford Museum of Art. Combining elements of futurism, Art Brut and Art Naif, with inspiration from his Bay Area contemporaries (such as Richard Diebenkorn), Holland has achieved both critical and commercial success over the last five plus decades of his career. He is currently represented by galleries in Dallas, Santa Fe and San Francisco and his prints are exhibited by Crown Point Press in San Francisco and Cirrus Editions in Los Angeles. This piece represents an exceptional example of his early practice. It offers a wealth of organic and geometric forms in coffee and chocolate brown, rendered in thick impasto, with cobalt blue peaking out from beneath. There are two orbital forms in the lower half of the canvas painted in a burnt umber hue. With its sophisticated palette and painterly aesthetic, this piece would be a winning acquisition for any avid collector of first-rate Mid Century Modern fine art...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "T...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...

Since the 1990s, Heinsohn’s work has addressed climate change, impending cataclysm, and cultural dysfunction in numerous bodies of work including his mixed media wall reliefs, his "Time Frames" series of photo-based abstractions, and his turbulent, thickly painted, cratered abstractions. However, as mentioned in his recent statement: “Given the current dysfunctional mayhem of our planet, I believe we need visual art that provides a place for the mind to transcend our calamity, to thoughtfully explore the multitude of unknowns connected to our daily lives, and to thereby refresh our optimism and our sense of urgency in the reimagining of our existence.” These new works channel the meditative properties of abstraction pursued by Kandinsky and Malevich, combined with intuitive approaches of accessing higher consciousness which guided Hilma af Klint as well as, much later, artists of Abstract Surrealism such as Gordon Onslow Ford, Roberto Matta, Wolfgang Paalen...