Joseph Ongenae

Abstract Geometrical Composition

1956

This work by Aurélie Nemours is unique. Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.

Pieter de Haard (Rotterdam 1914-2000)

This work by Aurélie Nemours is unique. Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.

This work by Aurélie Nemours is unique. Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.

Geert van Fastenhout works in a long, respectable Dutch tradition of painting, that of geometric abstraction. He paints rectangular surfaces and beams in black and in heavy, covered ...

A more literal reference to window constructions is in the recent work of Luc Hoekx. Transparent panels made of plexiglass are painted on both sides with colored surfaces. Front and ...

2012 Oil and mixed media on board 17 x 14 in. (43.2 x 35.6 cm) Signed and dated, verso Framed

FRANCISCO BORES Spanish, 1898 - 1972 STILL LIFE OF FRUITS signed "Borès 45´" (lower right) oil on cardboard 15-3/4 x 19-3/4 (40 x 50 cm.) framed: 18-1/4 x 22-1/8 inches (46 x 56 cm.) PROVENANCE Private French Collector Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado...

Patrick Hughes (British, b.1939) Assemblage, c. 1970 Oil on floating panel 35.7/8 x 47.7/8 in. (90.8 x 121.3 cm.) Patrick Hughes is a British artist known as the creator of reverspe...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...

Solo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cm

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...