Judith Lindbloom

Living to Entreat

1991

Oil and enamel on masonite The Pinajian story is one of near loss, discovery and posthumous success. A compatriot of De Kooning and friend of fellow Armenian-American Gorky, Pinajia...

Beverly Brodsky Biography American, 1941- Brodsky’s first classroom experience under Ad Reinhardt at Brooklyn College in 1961 was an extraordinary one. The students were asked to ta...

Lovely abstraction in blue, white and red by experimental artist Bill Alpert. Oil on arches paper.

Brodsky’s first classroom experience under Ad Reinhardt at Brooklyn College in 1961 was an extraordinary one. The students were asked to take their places in front of their easels in...

Oil on linen Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in ...

The story of the post-WWII New York School artists is still being written. The role of women in the art of the day still needs examination and study. Kurz is one such example. Diana Kurz (b. 1938) was born into a wealthy Austrian-Jewish family whose business was Aryanized after the Anschluss forcing the family to flee, first to Spain, then across Europe, and finally to the United States. Brought up as a "normal" American girl, Kurz always wanted to be an artist. She studied at Brandeis, at Hunter with Robert Motherwell and received her MFA from Columbia. She received instruction from Hans Hoffmann, studied with Phillip Guston...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Floated on archival white mat with wood frame. Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculp...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...