Kevin Barrett

"Rhubarb", Colorful, Abstract Painting on Aluminum Panel by Kevin Barrett

2018

"Hearts of Fire" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

"Patriot" by Kevin Barrett Epoxy, acrylic, and urethane on aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Painting...

"Mellow" by Kevin Barrett Acrylic and epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Paintin...

"Rhythm 2" by Kevin Barrett Large Abstract Wall Scupture in painted aluminum. This piece has a hologram-like effect. Barrett is noted for creating uniqu...

Pencil on Panel No. 19 by Norman Mooney Pencil on Aluminum Panel with Clear Coat Norman Mooney is an Irish artist located in New York City and has been exhibiting locally and intern...

"Untitled #3" by Kevin Barrett Epoxy on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Paintings, Wal...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the s...

This low relief sculpture is created by casting hydrocal FGR 95 (a very hard plaster) over a hand sculpted oil clay design. Once the hydrocal is...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gold leaf are applied to the su...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...