Kristina Quinones

"Eruption" - Large Scale Color Field Abstract

2006

Striking abstract colorfield oil painting on wood panel by Michael Pauker (American, b. 1957). This uniquely textured two-toned abstract is divided into color-fields of super vivid a...

Large-scale abstract minimalist color field painting titled, "Red Sea, Two Moons" by Canadian abstract painter Sasha Rogers (Canadian, b. 19...

Large scale, compelling abstract titled "Open Window" by Canadian abstract painter Sasha Rogers (Canadian, b. 1969), daughter of premier art...

A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...

A bright and bold colorfield abstract by Martin Aguilar (American, 20th Century). Signed monogram signature on verso. Image size, 24"H x 18"W. Unframed. Growing up in New Mexico’s b...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...

Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...