Mario Nuti

Mario Nuti Silent See Abstract Painting 1964 oil canvas signed titled dated

1964

The painting is signed and dated on the front "M. Nuti 68" and titled and signed again on the back of the canvas "Vicino alla città M. Nuti" meaning "Close to the city" Mario Nuti i...

Mythological-themed painting (unframed 35.5 x 28 cm) depicting the episode of Diana and Actaeon from Ovid's Metamorphoses. The goddess is depicted sitting in discreet attire, the bow...

This painting is a quite elaborate and finished study of the figure of the decimvir Appius Claudius and of his entourage with the lictors, who stand out on the left side of the monumental canvas of the Death of Virginia painted by Vincenzo Camuccini between the 1799 ad the 1804, today housed in the Museum of Capodimonte in Naples. In respect to the painting in Naples and the very beautiful signed d’apres held in the Museo Nazionale di Palazzo Mansi in Lucca (in all ways identical to the painting in Capodimonte), this small canvas-cropped on all sides by approximately 1 cm by an old reframing around which is stretched the original canvas-shows few but significant compositional variations. There is a different composition and totally different progression to the figures faintly outlined with very thin oil in white and pale blue in the background on the right. The fasces held by the lictors of Appius Claudius also seem slightly varied in number and style in respect to the painting in Naples. The figure at the left shoulder of Appius Claudius in second position, for example, holds just one in his hands, while in the final painting there would be two. Other small discrepancies can be found in the faces and emotional states of the squad of figures by the right shoulder of Appius Claudius. However, the variation most important to understanding the value of the drafting of this painting within the long creative process that led to the definitive work today seen at the Capodimonte, although of feeble visible evidence, is that which regards the rendering of a head that falls exactly at the height of the left hand of Appius Claudius, just to the side of the throne in which the decemviro is seated and on which is designed the Roman She-wolf. The figure, whose body is completely hidden by the bearded man with the green tunic...

This portrait is extremely important in the reconstruction of the corpus and of the life of the artist thanks to a significant inscription on the back of the canvas that says “Ritrat...

Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...

The Market in Piazza del Popolo is a work by the Flemish painter Jacob van Huchtenburg, born in Haarlem and present, in the early 1660s, in Rome, in close contact with his compatriot...

“Moving 5” is 60”x 48”. The vibrant yellow surface tones of this piece are broken in several places allowing random glimpses of Arnold’s dreamlike underpainting for a multi-dimension...

"A58" is 72” x 66”. The electric blues on black stand out from the figure on a mixed background of medium earth tones and heavy textures. Frank Arnold’s paintings exhibit the highest...

“OTL 8” is 60”x 60”. Central figure of Vibrant to deep reds on a split field of warm beige/coral and deep red/black. The foreground exhibits heavy strokes and Arnold’s “8” and “X” fi...

“BS Trust” is 36” x 36”. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to last generations. Much of Frank Arnold’s work is sourc...

“My Other Side” is 48”x 36”. This is an earlier piece by Arnold from the estate of a late collector of his work. This piece is predominantly shades of red from light to almost black....

"New Move 8" Oil on Canvas is a mix of blues and greens with chrome yellow accents. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculpto...