Martina Nehrling

Craving

2012

Tamar Zinn Behind Closed Eyes 22, 2019 oil on paper (triptych) 30 x 44 in. This colorful abstract oil painting on paper features loose, painterly swathes of blue and yellow - a clou...

Tamar Zinn Behind Closed Eyes 22, 2019 oil on paper (triptych) 30 x 44 in. This colorful abstract oil painting on paper features loose, painterly swathes of blue and white in a clou...

Martina Nehrling Tuber, 2019 acrylic on Montval 12 x 16 in. This small painting on paper features thick, dimensional brushstrokes of acrylic paint on Montval paper in bright, juicy ...

Susan English Nocturne No. 3, 2022 tinted polymer on 140 lb. Yupo paper 26 x 20 in. (eng163) At the core of Susan English's work are the ideas of space, boundaries, and perception. ...

Deborah Dancy State of Being 17, 2021 acrylic on paper 38 x 30 in. (dan039) This original contemporary abstract work on paper by Deborah Dancy is comprised of grey, brown, white, blue, yellow, and black hues, in her signature built up/re-built space that as she says, "operate in a realm in which beauty and tension simultaneously exist without explanation or narrative." Deborah Dancy is an abstract artist. Her paintings and drawings are sensuous provocations beset with marks that guide, then abruptly collide into confrontational slabs of color. There is an atmosphere of complex but urgent tension in her work, as she builds tangential linear demarcations, and abutting shapes, that provoke, entice and disrupt; -taking us everywhere and nowhere. From densely painted forms to more minimally declared images, Dancy’s work operates in the recognition that meanderings, intentional and accidental declarations are best when the beautiful and the disconcerting exist simultaneously. Deborah Dancy was born in Bessemer, Alabama and raised in Chicago, Illinois. She earned BFA from Illinois Wesleyan University and an MS and an MFA from Illinois State University. She is the recipient of John Simon Guggenheim Foundation Fellowship, a Yaddo Fellow, and a National Endowment of the Arts NEFA award. Her work is in many collections including The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum and The Detroit Institute of Art. N’Namdi Contemporary Miami, Robischon Gallery...

Deborah Dancy State of Being 20, 2021 acrylic on paper 38 x 30 in. (dan041) This original contemporary abstract work on paper by Deborah Dancy is comprised of black, white, and grey paint, in her signature built up/re-built space that as she says, "operate in a realm in which beauty and tension simultaneously exist without explanation or narrative." Deborah Dancy is an abstract artist. Her paintings and drawings are sensuous provocations beset with marks that guide, then abruptly collide into confrontational slabs of color. There is an atmosphere of complex but urgent tension in her work, as she builds tangential linear demarcations, and abutting shapes, that provoke, entice and disrupt; -taking us everywhere and nowhere. From densely painted forms to more minimally declared images, Dancy’s work operates in the recognition that meanderings, intentional and accidental declarations are best when the beautiful and the disconcerting exist simultaneously. Deborah Dancy was born in Bessemer, Alabama and raised in Chicago, Illinois. She earned BFA from Illinois Wesleyan University and an MS and an MFA from Illinois State University. She is the recipient of John Simon Guggenheim Foundation Fellowship, a Yaddo Fellow, and a National Endowment of the Arts NEFA award. Her work is in many collections including The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum and The Detroit Institute of Art. N’Namdi Contemporary Miami, Robischon Gallery...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

Danielle Frankenthal’s paintings focus on light, as she describes, “the most humanly perceivable form of pure energy which allows us sight; and as the great spiritual metaphor.” She ...

Danielle Frankenthal’s paintings focus on light, as she describes, “the most humanly perceivable form of pure energy which allows us sight; and as the great spiritual metaphor.” She ...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...