Mary Vernon

Iliad

2012

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a c...

Working in his open-air studio, Miles Cleveland Goodwin is deeply in touch with the rural landscape. Goodwin’s ruminative portrayals, full of earthy metaphor and soulful intuition, e...

Flat is Ink and Oil and Varnish on Wood Panel inspired by the Hawaii Flatfish. It is 20x20 filled with red, orange, black and green. Carol Bennett spends all of her time surrounded...

Oil and Ink on Panel

Oil, ink, gesso, on panel, Spirited abstract patterned composition with linear animal imagery, clear colors,

Alongside my wife Nansi, I have been lucky to explore some of the most beautiful and pristine coral reefs in the world. People often think we take pictures of the corals and paint them, but that is far from our process, which involves (at least in this case) working from an abstract design and weaving in memories and imagination until I had this image resolved. This painting is scheduled to be a part of our (Nansi’s and mine) international museum exhibition highlighting the beauty and fragility of our coral reef ecosystems, kicking off at the new ICONIC Museum in Texas in 2024. David C. Gallup has devoted his life to the study, teaching, and creation of art. He graduated from Otis/Parsons in Los Angeles in 1990, and soon found himself supervising a staff of over thirty artists under pop art legend Hiro Yamagata on the Earthly Paradise collection and other projects. He began plein-air painting on mornings, weekends and after work, and eventually left his friend and patron Yamagata to pursue a career as a gallery artist. For over a decade, he was the Vice President of the historic California Art Club...

The ocean never sleeps. For pelagic species such as Blue Trevally this is especially true. While few have the desire to swim in open water at night, these fish have no choice… the ...

I am always fascinated with human perception - you could say that it is why I became an artist. One of the most elusive qualities of perception, and therefore one of the greatest ch...