Mixed Media Abstract Paintings

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SUPERFICIE CP/871 Mosca cieca rosso 1951 Tempera su tessere di carta Tempera on paper cards cm 31 x 24 (sheet), 15 x 15 (panel) PUBBLICAZIONI “Capogrossi. Gouaches, collages, di...

SUPERFICIE CP/549 1957 Tecnica mista su carta applicata su tela Mixed media on paper laid down on canvas cm 33,5 x 24 Certificato di autenticità su fotografia a cura di Renato Ca...

An large abstract mixed media painting by Louis De Mot Bunce (1907-1983). The painting is signed and dated 1969 lower right, with the title "Tablet". Condition is very good indeed, a rare and compelling artwork by one of Oregon's most acclaimed artists. Louis Bunce, a major painter and printmaker beginning in the 1930s, is considered a legend in Oregon modernism. Known for variations of Surrealism and Cubism in the 1930s and 1940s, nature-based adaptations of Abstract Expressionism in the 1950s and 1960s, and geometric compositions related to Minimalism in the 1970s, he created a body of work that resonates with international modern art. He influenced many artists in the Pacific Northwest, including those who studied with him at the Museum Art School (now Pacific Northwest College of Art), where he taught from 1946 until 1972. Louis Demott Bunce was born in Lander, Wyoming, and moved with his family to Portland in 1920. He studied at the Museum Art School in 1925-1926, befriending fellow student William Givler. Both enrolled at the Art Students League in New York, Bunce studying there during 1927-1931. In Oregon, Bunce participated in the Public Works of Art Project in Portland in 1934, and in 1936 assisted John Ballator in painting murals for the St. Johns Post Office. These were funded by the U.S. Treasury Department, which also commissioned Bunce to paint the mural of Native American life for the Grants Pass Post Office. During the period 1937-1939, he was a teacher and then associate director for the WPA Federal Art Center in Salem, where he collaborated with his students, including Clifford Gleason, in painting murals for Bush Elementary School. He met and married Eda Hult in Salem. In 1940, Bunce returned to New York and worked as a WPA muralist and easel painter until 1942. Living in New York for two extended periods and visiting almost annually for many years thereafter helped him establish links between the art communities in Portland and New York, where he knew Jackson Pollock, Willem de Kooning, Robert Motherwell, Franz Kline, and other key figures in American modernism. During World War II, Bunce worked as illustrator and tool designer for the Oregon Shipbuilding Corporation, and in 1946 William Givler, by then dean of the Museum Art School, hired him as a faculty member. In 1949, Bunce and his wife established the Kharouba Gallery, the first in Portland devoted to showcasing experimental avant-garde art by artists working in Portland and further afield. Bunce’s abstract mural for Portland International Airport created controversy in 1958, when the debate between “modern” and “traditional” artists was at its height in Oregon. Bunce’s figurative Surrealism and Cubism of the 1930s and 1940s gave way to more complete abstraction in his paintings, drawings, serigraphs, and lithographs of the 1950s and on, but references to landscape, human figures, or still life are nearly always present in understated ways. The Oregon coast, Columbia Gorge...

Mixed media, 1957 Handsigned by the artist in pencil 12.50 cm. x 19.00 cm. 4.92 in. x 7.48 in. (paper) 12.50 cm. x 19.00 cm. 4.92 in. x 7.48 in. (image) A small format ink with b...

Mixed media, 1957 Handsigned by the artist in pencil 14.00 cm. x 20.00 cm. 5.51 in. x 7.87 in. (paper) 12.00 cm. x 16.00 cm. 4.72 in. x 6.3 in. (image) 21.00 cm. x 29.50 cm. 8.27...

Mixed media, 1957 Handsigned by the artist in pencil 14.00 cm. x 20.50 cm. 5.51 in. x 8.07 in. (paper) 12.50 cm. x 17.50 cm. 4.92 in. x 6.89 in. (image) 21.00 cm. x 29.50 cm. 8.2...

Modern geometric abstract night scene by Houston, TX artist David Adickes. The work features dark gray abstracted shapes against a lighter grayish blue color field. Signed by the art...

Gerome L. Kamrowski (1914 - 2004) Spun, 1957 Oil, encaustic, grinded pigment on artist board 10 x 12 3/4 inches Signed, dated, and titled on the reverse Provenance: Estate of the artist Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner...

Joseph Glasco (American, 1925-1996) Figural Abstract 1952 Mixed media on paper Signed and dated lower right 27.75 in. h. x 22 in. w., paper 32.75 in. h. x 26.75 in. w., as framed Jo...

Purple, orange, Picasso Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1997, Paris...

Jennie Haddad (1906-1996) Dallas Artist image Size: 41 x 26 Frame size: 47 x 33 Medium: Mixed Media Circa Late 1950s Early 1960s "Celebration" Estate Stamp Biography Jennie Haddad (1...