Mixed Media Abstract Paintings

MAXA, 2024 by Alec Franco Mixed media acrylic and oil pastel on canvas Image Size: 130 cm H x 215 cm W Unframed Signed by the artist _______ The artist's works are based on time and...

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

A mixed media work by Merion Estes. "Solo Samba" is a contemporary abstract, acrylic on canvas in a palette of purples, reds, and yellows by American female artist Merion Estes. The ...

A mixed media work by Merion Estes. "Trapped" is a contemporary abstract, fabric collage, acrylic on fabric in a palette of blacks, reds, and yellows by American female artist Merion...

Udo Nöger aims to bring out the luminescence of paint in his practice. The artist is known for monochromatic gray works that give the impression of emitting light. Nöger achieves thi...

A shock of saturated orange dominates the canvas in this dramatic mixed media composition from Ivo Stoyanov. Thickly applied visible brush strokes add texture and the white backgroun...

Lab #3, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #4, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #2, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #1, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

This colourful contemporary painting and its complimentary wall sculpture are by Yvonne Lammerich. In her decades-long exploration of a visual language, the Canadian artist often mak...

This wholly unique contemporary graphic painting and complimentary wall sculpture is by Yvonne Lammerich. The Canadian artist has acquired an international reputation for her inspire...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...

"Binaki, Athens" is a collage on mat work by Dorothy Hood made between 1982-1997. The artwork size is 20 x 16 inches. The framed size is 26 5/8 x 22 5/8 x 1 1/2 inches. The work is s...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Untitled Mixed media on paper, 1981 Signed and dated 1981 lower left (see photo) Provenance: Knoedler Gallery, New York (label) Charles Cowles Gallery, New York The Collection of Jan...

'The Rider (Der Reiter)' by Moshe Tamir (1924 - 2004) Mixed media and collage on paper 92 x 63 cm (36 ¹/ x 24 ³/₄ inches) Signed upper left, M Tamir Provenance Private collection,...

A Connection and a Bond by Lélia Pissarro Mixed media on canvas 65 x 54 cm (25 ⅝ x 21 ¼ inches) Signed Executed in 2008 Literature: Lélia Pissarro, The Colours of Silence, London, 2...

6/11, 2023 by Alec Franco Acrylic painting on canvas Image Size: 90 cm H x 110 cm W Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthe...

Indefinido, 2023 by Alec Franco Acrylic painting on canvas Image Size: 180 cm H x 130 cm W Unframed Signed by the artist _______ The artist's works are based on time and on informal...

A New Slate, 2023 by Angelica Tcherassi From The series Life is a Playground Mixed media on canvas Size: 50 H cm x 40 W cm Unframed A canvas collection filled with a special energy...

AZULES 1 & 2 Diptych, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Overall size: 117 cm H x 172 cm W Image Size: 117 cm ...

The Journey 001, 2023 by Angelica Tcherassi From The series Life is a Playground Mixed media on canvas Size: 40 H cm x 30 W cm Unframed A canvas collection filled with a special en...

Tactile Memory #110, 2021 by Natasha Zupan From the series Tactile Memory Mixed media on canvas (acrylics, oil) Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ___...

Tactile Memory #151, 2022 by Natasha Zupan From the series Tactile Memory Fabric, acrylic, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Uniqu...

Eternal Recurrence #49, 2022 by Natasha Zupan From the series Eternal Recurrence Mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ____________...

Eternal Recurrence #22, 2022 by Natasha Zupan From the series Eternal Recurrence Mixed media on wood (silk fabric, oil) Size: 18 in. H x 15 in. W x 3 in D. Unique ___________________...

Spiral of Time II Mixed media with acrylic on paper, 1986 Signed lower right (see photo) Condition: Excellent Image size: 35 x 15 1/2 inches Provenance: Peter Marciniak, New Hampshire Distinguished Midwest Private Collection Select Exhibition: 1991 Franz Bader Gallery, Washington, D.C. (solo) 1980 Guggenheim Museum, New York, NY 1974 Bertha Schaefer Gallery; New York, NY (solo) 1972 Childe Hassam Purchase Show, National Institute of the Arts and Letters 1971 "The Turkish Bath of Ingres,” Louvre Museum, Paris, France 1971 Guest Artist, Tamarind Institute; Albuquerque, NM 1970 “American Drawings of the Sixties,” New School Art Center; New York, NY 1966 Dorsky Gallery, New York, NY (solo) 1962 Dwan Gallery; Los Angeles, CA (solo) 1959 Dwan Gallery, Los Angeles, CA (solo) Museum Collection: Smithsonian American Art Museum Albuquerque Museum, Albuquerque, NM Cincinnati Art Museum, Cincinnati, OH Detroit Institute of Arts, Detroit, MI Fine Arts Museum, Santa Fe, NM Guggenheim Museum, New York, NY University of New Mexico Art Museum, Albuquerque, NM Oklahoma Art Center, Oklahoma City, OK Pennsylvania Academy of the Fine Arts, Philadelphia, PA Storm King Art Center, Mountainville, NY Wesleyan University, Middletown, CT Harwood Museum of Art, Taos "An abstract painter who lived in New York City; Amagansett, Long Island, and Albuquerque, New Mexico, Harry Nadler is described as a "formalist abstract painter of the 1960s-90s whose works were marked by their rich colors, transparencies, and labyrinthine constructions. —The attempt to capture in a purely abstract imagery the quintessential quality of light and contour that emanate from a particular landscape is a hazardous pictorial ambition, but Mr. Nadler has met the challenge of this problem with remarkable success.˜ (Hilton Kramer, The New York Times, April 27, 1974) Noted Fine Print Publications: Lincoln Center/Fine Art Prints,1990, "Live From Lincoln Center", screen print,edition72 Harry Nadler Biography DESCRIPTION WITHOUT PLACE A story Harry told me that he felt was a metaphor for his life and work was about his "golden bird." One day, when he was eight, he was walking home from school, a dangerous task for a Jewish boy in East Los Angeles in the '30s. He carried a painting he had made in school. He had to walk through a dark tunnel and was afraid. His painting of a beautiful, golden bird, radiating tropical colors, shone in the dark and he lost all his fear. The image of beauty, flight, darkness, and the power of his own image-making, stayed with him his whole life. He discovered a kind of freedom in school; he graduated when he was 16, went to art school, supported himself as an illustrator for a newspaper; then discovered a wide new world of literature and fine arts at the University of California, Los Angeles. He earned a B.A. and an M.A., and his talent as an artist manifested itself in teaching assistantships and in painting awards and early shows. His affinity for European painting was strong, and he yearned to go to New York and immerse himself in the museums and in the current work being done by the abstract expressionists. Awarded a Fulbright Scholarship to Spain in 1960, Harry fulfilled his dream of traveling to Europe and studying Goya's Disasters of War at the Prado. His commitment to finding a visual language to express his deep ethical concerns began at this time. He produced a series of works dedicated to the victims of the Holocaust and called the Buchenwald Landscapes and exhibited this body of work at the end of his year in Spain. He agonized over it, feeling that the imagery was too literal. He was searching for something--a formal instrument that reached a meaning beyond the obvious horror of the subject matter. On his return to the United States, he relocated to New York City, believing that his artistic roots lay there. He first made a living by teaching extension courses, while studying great paintings in the city's museums, participating in the current art world and developing his own work. Between 1961 and 1965, Harry made paintings of strange spaces filled with autobiographical objects. The poetry of Wallace Stevens powerfully affected him especially. For Harry, the activity of painting was a way of connecting separate realities. The work of imagination, metaphor, or "seeming" as Stevens described it, takes place in the gap between disparate elements, making connections of meaning on a deeper level. In this gap, he struggled to formulate with precision his understanding of his tools: his materials, his knowledge of philosophy and art history, his religious tradition, his life experience. In this gap, he lived with the anxiety of knowing, with faith in a process larger than himself. And he worked. Geometry became a way of speaking about ultimate purity, wholeness, relatedness; the sensuous material of paint and the particular way he combined those materials became a way of expressing the quality of his own experience. He named a painting series Description Without Place, in honor of Stevens. In this series, windows and boxes hold images of experience (painted objects, that both separate and merge the spaces of the painting. He combines images of crucifixion and blackness, with the vitality of life in both object and color. The breaking of edges and boundaries, merging the spatial and the temporal, continued throughout his life. In 1965, he was offered a teaching position at Wesleyan University in Connecticut. There he began his series, Homage to Ingres, shown in New York City in 1969, followed by a sports series...

Tactile Memory #154, 2018 by Natasha Zupan From the series Tactile Memory Oil, and mixed media on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique __________...

Nita, 2023 by Alec Franco Acrylic painting on canvas Image Size: 200 cm H x 148 cm W Unframed Signed by the artist _______ The artist's works are based on time and on informal aesth...

Horizon, 2020 by Alec Franco Mixed Technique on canvas Image Size: 70 cm H x 200 cm W Unframed Signed by the artist _______ The artist's works are based on time and on informal aest...

AZULES 2, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist _____...

Nampe, 2023 by Alec Franco Acrylic painting on canvas Image Size: 145 cm H x 130 cm W Unframed Signed by the artist _______ The artist's works are based on time and on informal aest...

Psalm 107: Confitemini Domino is signed, titled and dated ‘Psalm 107 Damien Hirst 2008’ verso, framed in a contemporary, plexi-box frame. Hirst’s 'Butterfly Kaleidoscope' paintings,...

Eclipsado, 2020 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 200 cm H x 200 cm W Unframed Signed by the artist _...

Medium: Mixed media on paper Image dimensions: 40 x 32 inches Framed dimensions: 44 x 36 inches Signed and dated "Havard 81" at the top right James Pinkney Havard (American, b. 1937) is an American painter and sculptor born in Galveston, TX in 1937. He was a pioneer of abstract illusionism...

AZULES 1, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist _____...

Color Derivatives #53, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ____...

Color Boundaries #38, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

Color Boundaries #35, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, gold, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ...

Stoyanov's paintings have a fresco-like quality, the taut surface of the canvas polished to a fine smooth finish. The work has a very clean edge and does not require framing. His wor...

Color Derivatives #149, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ___...

A purple square sits on a smokey cloud of energetic brush strokes of acrylic paint, marble dust, pigment and wax in this abstract painting by Ivo Stoyanov. The layered surface of thi...

Color Boundaries #26, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique _______...

Set of 16 Paintings by Natasha Zupan Oil, fabric, medium, gold, encaustic on canvas Overall size: 38 in. H x 30 in. W x 3 in D. Individual Size: 9.5 in. H x 7.5 in. W x 3 in D. Uniqu...

Color Derivatives # 155, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique __...

Light Refraction #60, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

Light Refraction #61, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

Small White Lies #56, 2013 by Natasha Zupan Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ____________________________________ N...

Light Refraction #59, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

Light Refraction #23, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, encaustic, 24K Gold, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a st...

Color Derivatives #162, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ___...

Color Derivatives #129, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, medium , on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique __...

0306, 2023 by Alex Quintanilla Mixed media on Canvas Image size: 160 cm H x 120 cm W Unframed Alejandra Quintanilla graduated with a degree in Arts from the University of Monterrey...

Color Boundaries #24, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique _______...

Color Boundaries #67, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

Color Boundaries #34, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...