Panel Abstract Paintings

This is a square, vibrant peach, pink and pale orange encaustic (pigmented beeswax) painting on birch panel with soft periwinkle and pale lilac highlights and light purple edges. Sig...

"Tiny II" by Danielle Marie Masters Acrylic and cut paper on panel, 8" H x 8" W x .75" D, square shape panel with rounded corners Bright color palette: red, neon red, neon pink, whi...

A fiery sky in crimson and cerise descends on a horizon of dark mauve hills and strip of azure sea in this emotive painting by Jay Hodgins. Taches of hot orange that highlight the foreground in this atmospheric seascape reflect the title of the work Angin, which is Indonesian for windswept. Hodgins attended the Emily Carr...

Denise Driscoll's "Interaction 8" is a 12 x 12 x 1.5 inch abstract painting on panel in matte blue and orange woven together with shiny metallic gold. Webs of color tumble and intersect in flowing, mesmerizing pattern in this acrylic painting. "Interaction 8" is signed, titled, and dated on the reverse and the sides are painted a deep blue. Denise Driscoll is an abstract painter who creates imaginary maps...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles, and the Pattern and Decoration movement. The Pattern & Decoration movement interests her in particular since it was a female-driven movement using the materials and techniques of traditional “women’s work” at a time when the art world was dominated by the machismo of minimalism. Fabricant also draws inspiration from spiritualists such as Emma Kunz, Hilma af Klint, Agnes Pelton, early...

Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...

ARTIST'S STATEMENT The inspiration for my paintings comes from images of landscapes; the urban landscape and the narrative of my "inner landscape." Within these worlds, I express my...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

This is a square, vibrant orange and purple encaustic (pigmented beeswax) painting on birch panel accented with bright pink and subtle gold details. Signed, dated and titled on verso...

Acrylic, Watercolour Pencil, and Silkscreen on Panel 40in x 50in 2019 Large Sized Abstract Landscape on panel using the medium of Acrylic and Spray Paint,...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Vuk Vučković was born in 1986 in Pančevo, Serbia. He graduated in 2010 from the Faculty of Fine Arts in Belgrade, where he started his doctoral studies in painting the same year. He ...

Modernist Burton Kramer finds inspiration for his abstract paintings in the beauty of a musical beat. In Vivace 11, one of a series, geometric shapes in bright green, golden yellow, ...

Quite a Bit, (Abstract Painting) Acrylic on panel - Unframed Artwork exclusive to IdeelArt. For Nehrling, smaller pieces often operate as a visual poem, prayer or wish. The challe...

Quite a Bit, (Abstract Painting) Acrylic on panel - Unframed Artwork exclusive to IdeelArt. For Nehrling, smaller pieces often operate as a visual poem, prayer or wish. The challe...

Looking Up Through Cherry Blossom to Help Refresh my Mind by Emily Finch [2021] original Oil on wood panel Image size: H:40 cm x W:20 cm Complete Size of Unframed Work: H:40 cm x W:...

This is an abstract acrylic on panel painting with bold, gestural brushwork reminiscent of the style of Gerhardt Richter. Predominant colors are reds, pinks, and darks. It has all hanging hardware attached; no need for additional framing. Works particularly well in a pair or series. Will combine shipping for multiple purchases. Elyce Abrams...

Five marks (Abstract Expressionism painting) Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic fo...

Quite a Bit, (Abstract Painting) Acrylic on panel - Unframed Artwork exclusive to IdeelArt. For Nehrling, smaller pieces often operate as a visual poem, prayer or wish. The challe...

Collaging fragmented scraps of magenta, orange, and black magazine, Sue Fox utilizes color and movement to express the sanguine beauty and catastrophic horror experienced during the ...

Pizzicato, 2018

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to life. Tim Nikiforuk...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artis...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane (AUS). The Lancaster Museum of Art and History presented a solo exhibition of his paintings entitled, "Slipstream." His work was also included in the group exhibitions, “To Live and Paint in LA” and "The Subterraneans" at the Torrance Art Museum. His work has been exhibited at numerous art fairs including: Dallas Art Fair, Pulse New York, Art Aspen, TX Contemporary, Pulse Miami and ArtMRKT San Francisco. Trueman graduated from the San Francisco Art Institute in 2003, earning dual BFA degrees in Painting and Digital Media. He relocated to southern California to attend Claremont Graduate University, earning a MFA in 2010. Trueman currently teaches at Chaffey College and has previously taught at Chapman University, Fullerton College and Santa Ana College. He has guest lectured at Chapman University, Pomona College...

Five marks (Abstract Expressionism painting) Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic fo...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Red And Blue Composition is a beautiful painting realized by the Belgian artist Martine Goeyens in the 2000s. Acrylic on plywood. Hand-signed on the lower right margin. Very good c...

"HOLY CROSS" is an original acrylic collage on panel work by Jim Houser measuring 10in x 10in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Penns...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

Lush Minimalism Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...

"Unforgotten Series No 6" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful abstract artwork with text and pink ba...

Foro di Memoria VII 30 x 30" red pink maroon sienna copperleaf In Jinni Thomas’ work she says, " The emotion from that visual experience, that awe moment, works down into our heart...

Aron Hill loves playing with colour and form to create fun, contemporary paintings. This is one of a series where Hill uses two shaped panels in white as backdrops to colourful organ...

Portals - Brindle’s newest body of work - evolved from the otherwordly Aura paintings that he debuted in early 2017. Sharing the central form of an enigm...

Flashe on panel. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic forms, resulting in atmospheric images evocative...

Lively and colourful, Aron Hill’s abstract paintings explore colour and form. Inspired by the vivid colours of modernists like Jack Bush, Hill plays with natural and geometric shape...

Robert Somerton (British, born 1972) Abstract composition oil on wood pane, unframed 16 x 22 inches signed verso Superb original abstract painting by the contemporary British abstra...

Oil on wood panel