Mercedes Matter"Deer Isle, Maine"c. 1957
c. 1957
About the Item
- Creator:Mercedes Matter (1913-2001, American)
- Creation Year:c. 1957
- Dimensions:Height: 25 in (63.5 cm)Width: 29 in (73.66 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lambertville, NJ
- Reference Number:
Mercedes Matter
Born in New York in 1913 to famed Philadelphia modernist Arthur B. Carles, Mercedes Matter grew up surrounded by art.
Throughout her youth Matter traveled to France and Italy with her family, where she was especially struck by the works of Giovanni Bellini. She later went on to study sculpture with Lu Duble at Bennett Junior College in Millbrook, New York, and with Maurice Sterne and Alexander Archipenko in New York City during her breaks from school. After finishing at Bennett Junior College, Matter began classes at the New York Art Students League with Hans Hofmann, who became a great mentor and friend to Matter. Hofmann’s painting classes brought the influence of the European avant-garde movements to Matter’s work.
In the late 1930s, Matter became a founding member of the American Abstract Artists group and worked for the Works Progress Administration with French artist Fernand Léger. Léger would later introduce Matter to her husband, Swiss photographer and designer Herbert Matter. The Matters became significant figures in the mid-20th century New York art scene, along with Jackson Pollock, Lee Krasner, Alexander Calder, and both Willem and Elaine de Kooning.
Matter was a member of the teaching faculty at the Philadelphia College of Art (now University of the Arts), Pratt Institute, and New York University. In 1964, she founded her own school, the New York Studio School of Drawings, Paintings, and Sculpture, after she noticed a lack of studio classes available to students. Matter considered the studio a quintessential form of study in art education. The school is still in operation today.
Matter has had solo exhibitions at Tanager Gallery, NY; Yale Norfolk, CT; Washington Art Association, CT; East Hampton Center for Contemporary Art, NY; the New York Studio School; and Salander-O’Reilly Galleries, NY. Her work can be found in the collections at the Corcoran Gallery, Washington, D.C.; Delaware Art Museum; Parrish Museum, NY; and the Whitney Museum of American Art, NY. She has received the Distinguished Teaching Award from the College Art Association; the Gottlieb Foundation Grant; the Ingram Merrill Foundation Grant; and the Tiffany & Co. Foundation Grant.
Find original Mercedes Matter paintings and other art on 1stDibs.
(Biography provided by Jim’s of Lambertville)
- ShippingRetrieving quote...Ships From: Lambertville, NJ
- Return PolicyThis item cannot be returned.
- "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Simorgh"By Solomon EtheLocated in Lambertville, NJJim's of Lambertville is proud to offer this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he receiv...Category
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Blue Abstraction" (from the Blue I Series)By Solomon EtheLocated in Lambertville, NJJim's of Lambertville is proud to offer this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...Category
1970s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- "Staccato XI"By Solomon EtheLocated in Lambertville, NJJim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Acrylic
- "Staccato I"By Solomon EtheLocated in Lambertville, NJJim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Acrylic
- "Blue Fish"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1960s Abstract Expressionist Abstract Paintings
MaterialsOil, Board
- Mindy Weisel, Not Everything is Black and White , 2017 oil on canvas 91 x 91By Mindy WeiselLocated in Jerusalem, ILMindy Weisel Not Everything is Black and White , 2017 oil on canvas 91 x 91 cm 36 x 36 in Exhibited Mindy Weisel "Meditations on Love", Rosenbach Conte...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Raquel Sanchez, Freedom , 2022 oil on canvas 110 x 140 cmBy Raquel SanchezLocated in Jerusalem, ILRaquel Sanchez Freedom , 2022 oil on canvas 110 x 140 cm 43 x 55 in Influenced by the Impressionist and Modern masters, Raquel's personal style in re...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Medium Sized, Colorful, Women in Abstract Expressionism Oil Painting w/ SunsetLocated in Fort Worth, TXWomen in Abstract Expressionism: Colorful Sunset Inspired Artwork by Texas artist Winter Rusiloski. Details: Winter Rusiloski Cathedral, 2016 Oil on canvas 48 x 45" View works. Wind...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil, Acrylic
- Blue TarpBy Oonju ChunLocated in Salt Lake City, UTBlue Tarp, oil on canvas, 60 x 50 in. (unframed, gallery-wrapped canvas). Oonju Chun’s large abstract expressionist paintings delightfully employ the basic...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Leap of FaithBy Oonju ChunLocated in Salt Lake City, UTLeap of Faith, Oonju Chun, oil on canvas, 40 x 40 in. (unframed, gallery-wrapped canvas), $4,900 Oonju Chun’s large abstract expressionist paintings deligh...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsOil, Canvas
- Sunset Over MountainBy Oonju ChunLocated in Salt Lake City, UTSunset Over Mountain, Oonju Chun, oil on canvas, 60 x 50 in. (unframed, gallery-wrapped canvas), $7,200 Oonju Chun’s large abstract expressionist paintings...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil