Molly Herman

Looming Rehearsal

2019

Janet Lage’s energetic abstract pieces are loaded with writing (graffiti), color, form and expressionistic brushstrokes. For Lage, the painting process is an alliance of language an...

Janet Lage’s energetic abstract pieces are loaded with writing (graffiti), color, form and expressionistic brushstrokes. For Lage, the painting process is an alliance of language an...

Janet Lage’s energetic abstract pieces are loaded with writing (graffiti), color, form and expressionistic brushstrokes. For Lage, the painting process is an alliance of language an...

Liz Dexheimer’s abstract landscapes reveal her fascination with the illusory and transcendent qualities of light and atmosphere. Both serve as a source of inspiration for her work. She is interested in conveying a sense of place that goes beyond any particular location. In her recent paintings, she has been focusing also on the intangibility of the ethereal, the feeling of limitlessness and forever in the far view. She de-constructs found man-made imagery as a point of departure, re-interpreting it to suggest natural light, reflection, what lies beyond. She has always translated everything into a more reductive state, regardless of her source of inspiration, eliminating anecdotal markers, distilling information to try to get at the essence, the idea of it She is drawn to water imagery...

Liz Dexheimer’s abstract landscapes reveal her fascination with the illusory and transcendent qualities of light and atmosphere. Both serve as a source of inspiration for her work. She is interested in conveying a sense of place that goes beyond any particular location. In her recent paintings, she has been focusing also on the intangibility of the ethereal, the feeling of limitlessness and forever in the far view. She de-constructs found man-made imagery as a point of departure, re-interpreting it to suggest natural light, reflection, what lies beyond. She has always translated everything into a more reductive state, regardless of her source of inspiration, eliminating anecdotal markers, distilling information to try to get at the essence, the idea of it She is drawn to water imagery...

Liz Dexheimer’s abstract, colorful landscapes reveal her fascination with the illusory and transcendent qualities of light and atmosphere. Both serve as a source of inspiration for h...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

In his first solo exhibition with David B. Smith Gallery, Leon Benn floods the main gallery with large-scale paintings bounding with vibrant colors and hallucinatory observations of ...

Richmond Burton’s works are known for their kaleidoscopic color, undulating patterns, and lyrical handling of expressionistic mark making. His Visceral, seductive, and organic compositions play with decorative patterning without compromising a conceptual backbone. Their intensity of vision allows for transcendent thought, experience, and connection while challenging any preconceived norms or rules defining abstract painting. “Structure is never absent; it’s just uninsistent, even accidental. The paintings are built up in stages, but never give the impression of being hard-worked. They have a fluid, textural presence, like luxury fabrics printed with overlapping, off-register layers of patterning.” — Holland Cotter, The New York Times (1999). Richmond Burton (b. 1960, Talladega, AL) obtained a BA in architecture from Rice University Houston, TX (1984). He lives and works in Woodstock, NY. Burton has shown extensively both domestically and internationally and has work in the collections of The Art Institute of Chicago, Chicago, IL; The Broad, Los Angeles, CA; Dallas Museum of Art, Dallas, TX; Fogg Museum at Harvard University, Cambridge, MA; The Metropolitan Museum of Art, New York, NY; Museum of Modern Art (MoMA), New York, NY; and National Gallery of Art, Washington DC, among others. Recent solo exhibitions include venues such as Sarah Moody Gallery of Art at University of Alabama, Tuscaloosa, AL (2015); Silas Marder Gallery, Bridgehampton, NY (2014); Philip Slein Gallery, St. Louis, MO (2013); and George Lawson...

30 x 100 oil on linen over panel. Framed dimensions are 32H x 102W

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS...

Since the late 1970’s, Younghee Choi Martin has lived and worked in Chelsea, where she was one of the earliest artists to establish a painting studio. A graduate of the Rhode Island School of Design, she has been awarded painting fellowships from the National Endowment for the Arts and the NY CAPS...