Oscar Gauthier

Su-Zut

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist...

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist at the Louvre to support himself in 1936. The artist considered his experiences conserving Old Master paintings to be invaluable to the development of his style and technique. In the same year that he started working at the Louvre, Vénard participated in a group show at Galerie Billet-Worms. Respected art critic Waldemar George hailed the exhibition as an immense success, proclaiming, “Let’s be young again! Painting is not dead. Its course has not stopped. Forces Nouvelles is born.” The Forces Nouvelles movement, which included artists like André Marchand...

Claude Vénard was born in Paris in 1913 to an established, middle-class family from Bourgogne. Although he was a businessman, his father accepted and supported his devotion to the arts. The blossoming artist was accepted at the prestigious École des Beaux-arts but quickly rejected the formality of traditional academic art training. Instead, Vénard began attending night courses at the École de Arts Appliqués at age seventeen to supplement his independent education. After six years of dedicated study the painter was forced, due to economic difficulties, to withdraw from the school and seek employment. Vénard became a restoration specialist at the Louvre to support himself in 1936. The artist considered his experiences conserving Old Master paintings to be invaluable to the development of his style and technique. In the same year that he started working at the Louvre, Vénard participated in a group show at Galerie Billet-Worms. Respected art critic Waldemar George hailed the exhibition as an immense success, proclaiming, “Let’s be young again! Painting is not dead. Its course has not stopped. Forces Nouvelles is born.” The Forces Nouvelles movement, which included artists like André Marchand...

Signed and dated lower left

Pastel pigment on cork

Byron Browne was an important American modernist painter. Ink, tempera, and crayon on paper Signed and dated lower right.

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

This painting is an abstract art work from the Topography series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to em...

2020 Oil on canvas (3 panels) S. 72 x 108 in. (each panel 72 x 36 in.) Signed and dated on verso of leftmost panel Unframed, stretched canvas

Born in Ottawa in 1976, Jean-François Provost holds a Bachelor's degree in Visual Arts from the Université du Québec en Outaouais. He has received several awards and honours for his ...

Leslie Wilkes’ pieces are an explosion of shape and color. With near perfect symmetry, these works exhibit opaque and smooth surfaces. “Wilkes’ geometric patterns are unique in that ...

In the paintings by Robert Chiarito the figure has always been dominant. Over the course of forty plus years, this figurative presence in his work has evolved stylistically from natu...