Items Similar to Purple and Gold Mixed Media Abstract
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Peg DenneyPurple and Gold Mixed Media Abstract1984
1984
About the Item
Purple and gold mixed media abstract with reflective gold square and highly textured surface by artist and architect Peg Denney (American, 20th century). Signed and dated by the artist lower right. Presented in a silver gilt frame with plexiglass. Image, 24"H x 17.88"W.
Ms. Denney's education includes: Bachelor of Architecture, Cornell University, Ithaca, NY; Graduate Painting Program at Otis College of Art and Design, Los Angeles; CA and Master of Arts Painting California State University, Los Angeles, CA.
Peg Denney has participated in dozens of shows and has won numerous awards. She is an accomplished painter whose works hang in corporate and private collections throughout the U.S including: Martin Muller, San Francisco, CA; Jennifer Dismukes, Arlington, VA; Cynthia Drennon, Santa Fe, NM; Daniel Lansner, NY, NY; Tomas Fuller & Dr. William Kelly, Santa Monica, CA; Gayle Rogers, Los Angeles, CA; Leboeuf, Lamb, Leiby, & Macrae, Los Angeles, CA; Litton Corporate Headquarters, Beverly Hills, CA; Hilton Hotel, San Francisco, CA and Hyatt Regency, Washington, D.C.
Ms. Denney has been principal architectural designer at PaysonDenney Architects in Santa Monica and Sante Fe since 1983. Before that she had extensive experience as a project architect for residential and commercial projects in the Baltimore - Washington area. Her combined talents in building design and art have been fundamental in establishing PaysonDenney's reputation for intelligent, inventive design and sensitive use of color and materials.
- Creator:Peg Denney (American)
- Creation Year:1984
- Dimensions:Height: 33 in (83.82 cm)Width: 27.88 in (70.82 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Soquel, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1986
1stDibs seller since 2014
2,513 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Soquel, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Ode to RoundelBy Leslie MorganLocated in Soquel, CAOde to Roundel abstract acrylic painting. Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and titled "Ode to Roundel" low...Category
1980s Abstract Geometric Abstract Paintings
MaterialsAcrylic, Archival Paper, Gouache, Thread
- Two Sunset Geometric San Francisco Bay Area Abstracts - A pairLocated in Soquel, CAA pair of beautiful geometric abstracts with highly saturated color by San Francisco Bay area abstract expressionist R. Williams (American, 20th Cent...Category
1980s Abstract Geometric Abstract Paintings
MaterialsAcrylic, Archival Paper
- Berkeley Hills Geometric AbstractBy Jonathan TaylorLocated in Soquel, CAGeometric abstract by notable Modernist artist Jonathan Taylor (American, b. 1968). Unframed. Signed "Taylor" lower right. Image, 24"H x 32"W. Jonathan Taylor is known for his imp...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- Floating Colors - Abstract Geometric Composition in Oil on CanvasLocated in Soquel, CAFloating Colors - Abstract Geometric Composition in Oil on Canvas Abstract composition with bright colors by San Francisco artist Richard Turtletaub (American, b. 1959). Various sha...Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- "New World City" Abstract Geometric Landscape in Oil on CanvasLocated in Soquel, CA"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...Category
Late 20th Century Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
- Dynamic Primary Geometric AbstractBy Ross H. PolletteLocated in Soquel, CAColorful and dynamic oil abstracted geometric composition by Ross H. Pollette also paints under the pseudonyms 'Max West' (American, b. 1948), circa 1980. Un...Category
1980s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- "FISHSCALE" acrylic and hand cut collageBy Jim HouserLocated in Philadelphia, PA"FISHSCALE" is an original acrylic and collage on panel by Jim Houser measuring 12in x 12in. This piece is a study for a larger work. The scale motifs are hand cut by the artist in h...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsAcrylic, Archival Paper
- Israeli Contemporary Abstract Geometric Pigment, Oil Painting Aharon Gluska 1985Located in Surfside, FLAharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Florida. The Siegels' collection was acquired under the guidance of Lawrence Salander of Salander-O'Reilly Gallery in New York in the late 1980s. Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...Category
1980s Abstract Geometric Abstract Paintings
MaterialsPaper, Mixed Media, Oil, Pigment
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Mixed Media
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsArchival Paper, Graphite, Wax Crayon, Sumi Ink
- Untitled (Study for Līnea), 2021Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- Rosebud, 2013, abstract geometric, large scale canvas painting, oil, red, whiteBy Kati VilimLocated in Jersey City, NJRosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Oil, Wood Panel
Recently Viewed
View AllMore Ways To Browse
Purple And Gold
Gray Gold Abstract
Purple Gold Art
Purple And Gold Art
Purple Vintage Fabric
Dr Gold
Los Angeles 1984
Abstract Oil Gold Frame
Purple Geometric Art
Vintage Abstract Fabric
Hotel San Francisco
Purple Gold Fabric
Purple And Gold Painting
Gold Gilt Frame Art
Santa Monica Vintage
Gold Lamb
Purple Gold Abstract
Square Paintings Gold Frames