Peter Fox

Second Self

2018

Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white ground brushed with violet in this large scale abstract painting. W...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

48"x36" abstract composition in golden yellow, rose pink and turquoise on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A water inspired abstract painting by New York/Hawaiian artist Debra Drexler. 60"x48" signed on reverse. Lavender, plum, purple and violet colors overlap with peach light orange/pin...

60"x48" oil and acrylic on canvas, signed on reverse by the artist. Hot pink, violet, tangerine and sherbert colors flow into forms or cerulean blue and orange in this abstract paint...

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensive...

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensive...

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensively worldwide she now resides as a full-time artist and ceramist in Los Angeles. With a degree in psychology and training in ceramics, painting was a natural transition and expansion to her repertoire from an early age. With color and form as her guide, her artwork flows from spontaneous and spiritual inspiration. Influenced by her travels with the play of color and light, her paintings reflect nature, spirit and a place of tranquility. There’s a touch of magic, secrets and a touch of the unknown in every painting, when painting ”time stops and almost an altered state of consciousness overtakes as the painting evolves”. Nina’s artwork has been shown in California, New York, Berlin, Montreal, Texas and Tokyo Japan. Santa Ana...

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensive...

Nina is an artist, ceramist and colorist with 20 years of professional experience and a lifetime of art appreciation. Originally from Virginia and having traveled and lived extensively worldwide she now resides as a full-time artist and ceramist in Los Angeles. With a degree in psychology and training in ceramics, painting was a natural transition and expansion to her repertoire from an early age. With color and form as her guide, her artwork flows from spontaneous and spiritual inspiration. Influenced by her travels with the play of color and light, her paintings reflect nature, spirit and a place of tranquility. There’s a touch of magic, secrets and a touch of the unknown in every painting, when painting ”time stops and almost an altered state of consciousness overtakes as the painting evolves”. Nina’s artwork has been shown in California, New York, Berlin, Montreal, Texas and Tokyo Japan. Flying Dragons...