Items Similar to Gouache Watercolor Painting, Nantucket Harbor Boats American Deaf Modernist Art
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Robert FreimanGouache Watercolor Painting, Nantucket Harbor Boats American Deaf Modernist Art1980
1980
About the Item
Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper.
Hand signed and dated, 1980
22 X 30 not frame
Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements.
In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art Show in New York beginning in the 1930s. Later in his career, his paintings became abstract infused with metaphysical landscapes and elements of architectural fantasy.
Through the 1940"s Freiman had numerous exhibits at Doll & Richards, and beginning in mid1950s his paintings began showing in prestigious galleries in New York, Paris, London, and Zurich, and in many galleries across the U.S.A. including a memorable exhibition entitled "The Silent World of Robert Freiman: His Paintings and Portraits", held in 1977 at the Edward J. Brown and Associates Studio in NYC.
Robert Freiman’s paintings are in the collections of some of most notable world-wide’s “Who is Who” collectors of the age, like James Baldwin, Tennessee Williams, Georges Braque, Henri-Georges Clouzot, Anne Bancroft, Peter Ustinove, Dirk Bogard, Simone Signoret, C.P. Coulandris, Edward Sarnoff, Henry Ruhl, Lee V. Eastman.
In addition to the notable private collections, Freiman’s paintings are held in the permanent collections of the Boston Museum of Fine Arts, the Museum of the City of New York, the National Academy of Design, the New Britain Museum in Connecticut, the Museum of Santa Barbara in California, Columbia Museum of Art in South Carolina, the Georgia Museum of Art, the Art Association of Newport, Rhode Island, Le Musee Municipal de Saint-Paul de Vence, France.
Source:
Gannon, Jack R. "Deaf Heritage: A Narrative History of Deaf America".
Maryland: National Association of the Deaf, 1981. Information submitted November 2004 by Lawrence M. Miller
- Creator:Robert Freiman (1917 - 1991, American)
- Creation Year:1980
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:unframed.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210451552
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,536 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- German Expressionist Watercolor Painting Jerusalem Landscape Bezalel Israeli ArtLocated in Surfside, FLThis is a great Judaica Israel landscape. The Old City of Jerusalem during the British Mandate in Palestine. 24.5 x 31 image 16 x 22.5 Isidor Ascheim (איזידור אשהיים; 1891-1968) was a German-born Israeli painter and printmaker. Isidor Ascheim was born in Margonin (present-day Poland) in 1891. He was raised in an Orthodox, Judaic, Jewish family and served during World War I. In 1919-23, Ascheim studied under the German Expressionist Otto Mueller in Breslau and was influenced by Erich Heckel of the Die Brücke (The Bridge) group. He immigrated to Mandate Palestine in 1940 and settled in Jerusalem. He was married to the Israeli painter Margot Lange-Ascheim. He taught at the Bezalel School of Art (amongst his students were David Palombo, David Rakia, Aharon Bezalel, Kopel Gurwin and more) and served as its director for several years. He also taught at the Avni Institute in Tel Aviv along with Moshe Mokadi. Marcel Janco and Aaron Giladi. Ascheim's art is based on a direct impression of nature, life and the human form. His oeuvre represents a continuous connection with nature and the human figure, usually executed with a dark palette, the legacy of his German Expressionist roots. He was a contemporary of Jacob Steinhardt, Mordecai Ardon, Josef Budko and Hermann Struck. Awards and recognition In 1953, Ascheim was a co-recipient of the Dizengoff Prize for Painting. In 1955, he received the Jerusalem Prize for Art. In 1956, he participated in the Venice Biennale, Italy Selected collections Fine Arts Museum of San Francisco Israel Museum, Jerusalem References Isidor Aschheim: Drawings & Prints [Izidor Ashhaim: rishumim ve-hedpesim] . Jerusalem: Israel Museum, 1966. Talpir, Gabriel. "100 Artists in Israel". Tel-Aviv: Gazith Art Publishing, 1971. Isidor Ascheim was born in Margonin, Germany (in what is now Poland) in 1891. His father was a prosperous merchant. In spite of his family’s devoutness, Ascheim had both religious training at home and an education in a German school. In 1903 the family moved to Breslau, where he studied in the gymnasium. When War War I broke out, he was drafted into the German army. In 1918, when the war ended, he began studying art in Breslau, and then in Cracow. In 1939 he made Aliyah to the Land of Israel under the auspices of the Aliyah Bet program. He was caught by the British government and sent to the Atlit detention camp for about seven months. After he was released he settled in Jerusalem and found employment as a lecturer at the “New Bezalel.” In 1946 he married the painter Margot Lange Ascheim. From 1960-1961 he served as director of the “New Bezalel.” Most of Ascheim’s work was in the field of prints. In the 1920s he also produced engravings. Later he specialized in stone printing (lithography), including Biblical subjects, landscapes, and expressionist subjects. In addition, he painted. Education 1919-1923 Art Academy, Breslau, Germany, (now Wroclaw, Poland) with Otto Mueller, an important expressionist painter. Art studies, Professor Pautsch, Academy of Fine Arts, Cracow, Poland Teaching 1943 Bezalel Academy of Art & Design, Jerusalem, was director for some time. 1961-1960 Director, New Bezalel, Jerusalem Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv1944 Artists: Hermann Struck,Moshe Ziffer...Category
1940s Expressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- Expressionist Watercolor Landscape Painting Jewish ModernistBy Jennings TofelLocated in Surfside, FLsigned and bears the artist's studio label verso. Genre: Impressionist Subject: Landscape Medium: watercolor Surface: paper Country: United States Dimensions: 11.5 X15.5 Jennings (...Category
1940s Expressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- European Architectural Colonnaded Arcade Watercolor PaintingBy Boris VassiloffLocated in Surfside, FLBoris Vassiloff, Russian/American (1906 - 2000) Artist Boris Vassiloff was born on March 24, 1906 to Julia Nikolaevna and Boris Ivanovich Vassiloff in Russia. He died peacefully on D...Category
Mid-20th Century Expressionist Landscape Paintings
MaterialsWatercolor, Board
- Pastel, Ink Drawing Rocks And Cloud Landscape Jewish American Modernist WPABy Ben-Zion WeinmanLocated in Surfside, FLMiniature Landscape Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. “Ben-Zion has his hands on the pulse of the common man and his natural world” As he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Along with ben Shahn, William Gropper, Chaim Gross and Abraham Rattner he was an influential mid century Jewish American...Category
Mid-20th Century Expressionist Landscape Drawings and Watercolors
MaterialsPastel, Ink, Watercolor
- Large French Art Deco Four Horsemen of Apocalypse Watercolor Gouache PaintingBy Jean de BottonLocated in Surfside, FLJean de Botton (1898-1978). Jean Isy De Botton was part of the Ecole de Paris or School of Paris, a group of both French and non-French artists livi...Category
20th Century Modern Landscape Drawings and Watercolors
MaterialsGouache, Paper, Watercolor
- Jerusalem Old City Landscape, Expressionist Judaica Israeli Painting IIBy Andre ElbazLocated in Surfside, FLIn this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject figures walking in old city Jerusalem. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...Category
20th Century Expressionist Figurative Paintings
MaterialsGouache, Paper
You May Also Like
- View of Saint-Médard Church ParisBy Lucien GéninLocated in London, GBA 'View of Saint-Médard Church, Paris', gouache on art paper, by Lucien Génin (circa 1930s). As viewed from the Rue Mouffetard, the church, which dates from the mid-1400s, continues ...Category
1930s Landscape Drawings and Watercolors
MaterialsGouache, Paper
- Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist DecoBy Antonio PetruccelliLocated in New York, NYOriginal Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco Antonio Petruccelli (1907 - 1994) Play Ball New Yorker cover proposal, c. 1939 12 x 8 inches (sight) Framed 18 1/2 X 14 3/4 inches Gouache on board Estate sticker verso BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...Category
1930s American Modern Figurative Paintings
MaterialsGouache, Board
- Horse & Carriage in Old English Village Lane 20th Century British PaintingLocated in Cirencester, GloucestershireFrank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10.75 x 15.5 inches condition: overall very good, minor wear to the edges as is normal f...Category
Mid-20th Century Impressionist Landscape Drawings and Watercolors
MaterialsGouache
- House Beautiful Cover Proposal. American Scene Social Realism Industrial WPABy Antonio PetruccelliLocated in New York, NYHouse Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...Category
1930s American Modern Figurative Paintings
MaterialsGouache, Board
- 'Chinatown San Francisco at Twilight', French School (circa 1950s)Located in London, GB'Chinatown San Francisco at Twilight', ink and gouache, diptych on card stock, French School (circa 1950s). This artwork was discovered in Paris, France. The unnamed artist skilfully captured that magical moment at dusk when light is at its most beautiful. The scene is Chinatown, San Francisco in the 1950s. The Far East Café, depicted in this artwork was established in 1920. It is the oldest banquet-style Chinese restaurant in the city. Of course, Chinese cuisine in large cities in America has since moved on from the chop suey...Category
Mid-20th Century Landscape Drawings and Watercolors
MaterialsInk, Gouache
- Cadets Football New Yorker Mag Cover Proposal American Scene Modern IllustrationBy Antonio PetruccelliLocated in New York, NYCadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration Antonio Petruccelli (1907 – 1994) Cadets Football Game New Yorker cover proposal, c. 1939 14 1/4 X 1...Category
1930s American Modern Figurative Paintings
MaterialsGouache, Board
Recently Viewed
View AllMore Ways To Browse
1980 Fine Art
Art With Boats
Modernist Art Painting
Boat Art
Boat Painting Art
Maryland Art
American Painting 1940s
America Columbia
Modernist Art 1930s
Bear Art Design
Maryland Painting
Vintage Boat Paintings
Tennessee Art
Art From Maryland
Robert Paul
American Beaux Arts
New York Harbor Painting
Midcentury Gouache Painting