G. Campbell Lyman

Rosetta #18 (Abstract Contemporary Painting, Framed)

2022

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "Part of a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years ...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "This painting originally looked different, and though it had 22 saves on it and looked sure to sell there was just something that bothered me about it. So I rep...

Artist's Statement: "This is part of a series of work I created using a complex mix of media to evoke age and tropes and paradigms of human culture. Our obsession with the new somet...

Artist’s Statement: “I have decided to make available some work I did back in the 90's that I had put aside because I didn't want to sell it at the time. You can tell that I had been...

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

Something More, Original Abstract Painting, 2020 Abstract Painting on Paper Artist Commentary: The long name for this one is 'Tearing Through the Sky in Wonder'. This one is very ...

Artist : Kory Twaddle Title : Second Floor Systems Materials : Acrylic, tempera, gouache, glitter, paint brushes, and mixed media on drawing pad cardboard back with spiral top Date ...

Artist : Kory Twaddle Title : Organ Buildings Materials : Oil, acrylic, charcoal, conté crayon, marker, string, hair, postage stamps, buttoms, and mixed media on paper mounted on pa...

Artist : Kory Twaddle Title : Japan Cell Mitosis Library Materials : Acrylic, stickers, paper clips, rubber bands, salt, ribbon, string, paper book shelf label, and mixed media on f...

Artist : Kory Twaddle Title : Map from Home to Kaz's Gallery Materials : Oil, acrylic, charcoal, conté crayon, oil pastel, pastel, paper, marker, and mixed media on paper Date : 200...