Study 1 for Dark Sky over Long Beach, Sag Harbor
View Similar Items
1 of 4
Susan VecseyStudy 1 for Dark Sky over Long Beach, Sag Harbor2012
2012
About the Item
- Creator:Susan Vecsey
- Creation Year:2012
- Dimensions:Height: 10 in (25.4 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: VEC-000231stDibs: LU4022446201
You May Also Like
- CanaryBy Melinda HackettLocated in New Orleans, LAMy paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper
Price Upon Request - Leaves IBy Fritz BultmanLocated in New Orleans, LAFloated on archival white mat with wood frame. Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculp...Category
1950s Abstract Expressionist Abstract Paintings
MaterialsPaper, Oil
Price Upon Request - Blue BirdBy Melinda HackettLocated in New Orleans, LAMy paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper
Price Upon Request - CamelBy Melinda HackettLocated in New Orleans, LAHackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper
Price Upon Request - Red EyeBy Melinda HackettLocated in New Orleans, LAHackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper
Price Upon Request - Blue TreeBy Melinda HackettLocated in New Orleans, LAHackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...Category
2010s Abstract Abstract Paintings
MaterialsOil, Archival Paper
Price Upon Request