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Syd Solomon
“Windfalls”

1971

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“The Greatest Story Ever Told”
By Joseph Conrad-Ferm
Located in Southampton, NY
Original acrylic on canvas painting by the well known American artist, Joseph Conrad Ferm. Condition is excellent. Signed lower right “Ferm”. Titled, signed and dated verso 2012. Un...
Category

2010s Post-Modern Abstract Paintings

Materials

Canvas, Acrylic

“Lightride”
By Syd Solomon
Located in Southampton, NY
Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil, Acrylic, Board

"Surreal Woman"
By Nahum Tschacbasov
Located in Southampton, NY
Original oil on fiberboard painting by the Russian/American artist, Nahum Tschacbasov. Signed lower left. Circa 1945. Condition is good. Presently unframed. Framing options are av...
Category

1940s Post-Modern Abstract Paintings

Materials

Oil, Fiberboard

“Edge”
Located in Southampton, NY
Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector. Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category

1970s Post-Modern Abstract Paintings

Materials

Canvas, Oil

“Edge”
$550 Sale Price
43% Off
“Open Shell”
Located in Southampton, NY
Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector. This painting might have been the 1st part of a diptych to “Open Shell 2” also being sold on my site. Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...
Category

1970s Post-Modern Abstract Paintings

Materials

Canvas, Oil

“Abstract in Orange”
Located in Southampton, NY
Here for your consideration is a vibrant abstract in mainly orange with yellow highlights by the California artist Edward Darrell Crisp. Signed with art...
Category

1980s Post-Modern Abstract Paintings

Materials

Canvas, Oil

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