Sylvia Rutkoff

1950s "The Schoolgirl" Oil and Sand Figurative Painting NYC Brooklyn Museum

c. 1950s

Sylvia Rutkoff (1919-2011) "Traffic" c.1950s Oil, sand, grout, gesso on masonite 48"x36" wood period frame Signed on reverse in pencil Collection acquired from family estate Sylvia ...

From the estate of Jerry Opper and Ruth Opper Fruit Still Life c. 1950's Gouache on Paper 12" x 18", tiger maple wood frame 18.5"x1"x22.25" unsigned Early ...

Sylvia Rutkoff (1919-2011) Sr10-1 c.1950s “Boy with Mittens” Oil impasto on Masonite 36x42.5 black wood gallery frame Signed on reverse in paint Collection acquired from family estat...

Trung Quoc Tran 1980's "Ships Passing" Oil on Canvas 35.5" x 47.5" unframed $1900 No Signature *Listed price reflects custom framing selected by seller. Please expect framing time be...

Jack Hooper "View From the Window" c. 1950s Oil on Canvas 32"x25.25" silver and black wood frame 26.5"x33.25" Unsigned Minor wear consistent with age and ...

Bill Shields "Pink Abstract" 1970's Oil on canvas Artist's wood frame 30"x2"x24" Signed in paint lower right Excellent Condition - Minor wear consistent with age and history. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company, International Business Machines. Institutional: National Aeronautics and Space Administration, United States Air Force, United States Department of the Interior, American Petroleum Institute, New York Stock Exchange, National Broadcasting Company, American Iron and Steel Institute, CBS Broadcasting Company, Vanguard Recording Company, Diners Club, Stanford Research Institute, Victoria Station, Neiman Marcus, Bank of America, Automobile Club of Southern California, Airlines: TWA, British West Indies Airlines, Pan American Airlines...

Artist: William Littlefield, American (1902 - 1969) Title: Still Life and Abstract Year: 1950 & 1954 Medium: Double-Sided Oil on Masonite, signed and dated both sides Size: 22 x 28 i...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

Translated title: "Pink tree". Oil paint on masonite.

At the junction of the abstract and the still-life, minimalism and painterliness, simplicity and depth, this painting is a mixing of opposites.

Abstract still-life. Oil over acrylic and gesso on panel.

In the trompe l'oeil panel painting, "Wonder, or the Plane of the Invisible," a comic cut-out of Wonder Woman sits between two spatial planes—the top, very flat plane is cut out in the shape of a plane as a play Wonder Woman's famous "Invisible Plane." The silly way the comic book character would sit in an imaginary seat flying through the air would force the artist to wonder, “how do you represent an invisible plane”. Here, we see a bright blue canvas, sprinkled with glittery paillettes; an outline of an airplane beneath an outline of the word “SKY”, an infantile depiction of the sun made of masking tape, and finally, the hero, Wonder Woman, her comic clipping taped onto the invisible plane. A very believable, naturalist blue sky with puffy white clouds is visible through the letters and the invisible airplane. It feels like we can reach into the invisible plane to find the natural world…yet atop the plane is an old cartoon of the first female superhero. She overlaps the realistic atmosphere, and even casts a shadow onto it. The planet’s orbit is dedicated to the sun, and all living things need the light to survive…yet this most important element is made up of a crude array of tape strips, asymmetrical, and even torn in-half. This sun refers back to Pablo Picasso’s sun...