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Tracey Adams
(r ) evolution 14

2014

About

Pigmented beeswax, oil and collage on wood panel. This painting is part of a series titled (r)evolution made between 2014 and 2015. It is the second iteration of a series of “dot” paintings begun in 2006. This process-based series was inspired by Adams ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. For this series, she has painted with many layers of encaustic and mounted hand cut circles of Japanese paper which have been dipped in encaustic. Finally, each dot/circle is covered with clear encaustic medium, then painted with oil to create spatial depth. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art Museum, and the Santa Barbara Museum of Art. Her work is also part of multiple corporate collections, including those of Adobe Systems, AT&T Corporate Headquarters, Hallmark Corporate Headquarters, Sony Corporation, and Intel.

Details

  • Condition
    Excellent. First hand artwork. Delivered directly from the artist studio..
  • Dimensions

    H 40.01 in. x W 40.01 in.

    H 101.6 cm x W 101.6 cm

  • Gallery location
    London, GB
  • Reference number
    LU65932473761

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