Val Hudson

Elemental II

2017

Val Hudson is a painter drawing on a wide spectrum of ideas and influences. Her paintings present a dreamlike quality of ephemeral spaces punctuated with half seen evocations of memo...

Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observ...

Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating ef...

Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating ef...

Simon emphasises the simplicity of form and the contemporary interaction between the light with haunting tone and texture combined with emotion. These are a study of low light observ...

Brian Elwell began his artistic career at Chelsea School of Art, and was awarded the Chelsea Diploma in Fine Art and a Leverhulme Travelling Scholarship. He subsequently studied for ...

“The oval paintings give the feeling that somewhere in their essence, invisible to the human eye, there is a light source, which disperses the cleansed and superior light through the reflective whiteness of the wall into the space.” Dr. Nataša Smolič In this oval artwork color is present like the natural reflection of the painted canvas outside the painting surface at the paintings back. So, the source of colour isn′t any electric source. It happens naturally like a reflection on the wall. I′m researching this praenomen more than a two decades. A non-material reflection on the wall appears as a reflection of the painted object. And in daylight it changes all the time. You are kindly invited to see a video of that process on my homepage : video1 and video 2. On the back of the solid wood support panel there is intensive acrylic paint, which is only visible as a reflection of red color on the wall. I used oil paint for the front of the painting. The wooden panel of the picture was hand-shaped at the front into a slightly convex shape. . . . . . In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Signed, titled and dated verso

Signed, titled and dated verso

The stories we tell ourselves [2022] original Oil, oil stick, pastel and wax on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:2cm ...

James Bonstow Calmer Skies Original Landscape Painting Oil Paint on Canvas Canvas Size: H 110cm x W 110cm x D 4cm Sold Unframed Please note that in situ images are purely an indicati...