Cleve Gray

Each Other

1979

AL HELD Untitled, 1950 - 1952 Oil on canvas 20 x 24 inches Signed verso

DANIEL GORSKI Untitled, 1963 Acrylic on canvas (Diptych) 80 x 45 inches

Richard Anuszkiewicz Red Edged Magenta, 1977 - 2017 36 x 36 inches Acrylic on canvas

SHIRLEY GOLDFARB LA 8, 1969 Oil on canvas 10 x 8 inches signed on back "Goldfarb '69"

Signed, dated , and titled verso: Gray - '90 / "Air Things Wear that Build This World" / 60 x 60 / acrylic

CLEVE GRAY Floating Red, 1990 Acrylic on canvas 60 x 60 inches

"Lawn Chair with White T-shirt" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matt...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 60" x 48" x 2". It is acrylic and oil on canvas, painted, plexiglas...

Untitled 02, 2015 - 2016 Mixed technique: black silicone, oil, whir on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of repulsion and fa...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

FAT BACK is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...

"Girl with Seagull Tattoo" uses caulking to create the texture of lace as the prominent physicality of the clothing is juxtaposed against a background of browns and pastels. The figu...