Wolf Kahn

A Yellow Glimpsed

1990

Wild Horses by Mark Tobey (1890-1976) Oil on panel 10 ¾ x 16 ½ inches unframed (27.305 x 41.91 cm) 14 x 19 ½ inches framed (35.56 x 49.53 cm) Signed on bot...

Burning Bush, 1989, by Theodoros Stamos (1922-1987) Acrylic on canvas 66 x 50 inches unframed (167.64 x 127 cm) Inscribed (Infinity Field Jerusalem Series...

Infinity Field T Series #2, 128, 1992 by Theodoros Stamos (1922-1997) Acrylic on canvas 64 x 50 inches unframed (162.56 x 127 cm) Inscribed (INFINITY ...

Curtain, 1975, by Stanley William Hayter (1901-1988) Oil on canvas 25 x 19 inches unframed (63.5 x 48.26 cm) 26 ¼ x 20 ⅜ inches framed (66.675 x 51.753 cm) Signed and dated on bottom...

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

A rare departure from Daniel Phill's abstract expressionist botanical paintings titled "Pool". Interior scene of an indoor pool painted with his saturated ...

Binyamin Basteker The Mighty Waves, 2023 oil on canvas 60 x 80 cm 24 x 31 in Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique talent was discovered at a very early age. He perfected the art of portraiture and color while still living in India. Following his immigration to Israel in 1969, he studied with the modern Israeli masters and was considered to be one of the promising young abstract artists of the 1980s. In the mid-1980s he became observant and ceased to exhibit his work. The artist’s inaugural solo exhibition of oil paintings entitled “Stones that Speak” set Basteker apart from the mainstream of “modern” Jewish, religious painters. Whereas in many instances the theme of the painting, whether it be the Kotel or Jerusalem or the wealth of themes available to the observant artist, becomes the goal of the artist, Basteker relates to the “theme” as the “excuse” for the painting. Basteker searches for balance and harmony in his life and translates this to color and texture and motion. Nothing is his work is arbitrary. Every stroke and splash, every line and curve contribute to the perfect composition. The artist’s selection of tools, a result of an immediate inspiration, greatly affects the application of the color and texture. His works are sophisticated and worthy of deep examination. Tremendous layers of thought and spirituality are engraved in each and every work. Yet to the casual viewer, the paintings are aesthetically pleasing on a very simplistic level. On first glance, we see a beautiful bouquet or garden. Yet as the viewer’s eye travels and dissects the composition, we might imagine a maestro conducting a symphony orchestra or a pianist’s graceful fingers dancing over the keyboard. “Jerusalem Flowers” are unique to the Holy City...

Binyamin Basteker Urban Landscape, 2022 oil on canvas 60 x 80 cm 24 x 31 in Binyamin Basteker was born in Mumbai in 1953. Growing up in a family of artists, his unique talent was discovered at a very early age. He perfected the art of portraiture and color while still living in India. Following his immigration to Israel in 1969, he studied with the modern Israeli masters and was considered to be one of the promising young abstract artists of the 1980s. In the mid-1980s he became observant and ceased to exhibit his work. The artist’s inaugural solo exhibition of oil paintings entitled “Stones that Speak” set Basteker apart from the mainstream of “modern” Jewish, religious painters. Whereas in many instances the theme of the painting, whether it be the Kotel or Jerusalem or the wealth of themes available to the observant artist, becomes the goal of the artist, Basteker relates to the “theme” as the “excuse” for the painting. Basteker searches for balance and harmony in his life and translates this to color and texture and motion. Nothing is his work is arbitrary. Every stroke and splash, every line and curve contribute to the perfect composition. The artist’s selection of tools, a result of an immediate inspiration, greatly affects the application of the color and texture. His works are sophisticated and worthy of deep examination. Tremendous layers of thought and spirituality are engraved in each and every work. Yet to the casual viewer, the paintings are aesthetically pleasing on a very simplistic level. On first glance, we see a beautiful bouquet or garden. Yet as the viewer’s eye travels and dissects the composition, we might imagine a maestro conducting a symphony orchestra or a pianist’s graceful fingers dancing over the keyboard. “Jerusalem Flowers” are unique to the Holy City...

Raquel Sanchez Freedom , 2022 oil on canvas 110 x 140 cm 43 x 55 in Influenced by the Impressionist and Modern masters, Raquel's personal style in re...

Raquel Sanchez Courage , 2022 oil on canvas 110 x 140 cm Influenced by the Impressionist and Modern masters, Raquel's personal style in recent years ...

Binyamin Basteker Heavenly Ocean oil on canvas 90 x 80 cm