Yari Ostovany

Chellehneshin no 21

2014

Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward el...

Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. This work is part of the Fragments of Poetry and Silence series. The inspiration and the point of departure for this series is a poem by John Berger...

Here is where we meet (for John Berger) (Abstract Painting) Oil on canvas. Informed by a variety of different cultures, Ostovany feels a connection to mu...

Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...

Fragments Of Poetry And Silence No. 39 (Abstract Painting) Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate an...

Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting. Conference of the Birds...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...

Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in...

oil and acrylic on linen over stretcher bars In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. ...

oil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...