Yolanda Sanchez

Sea Change 2

2016

An oval shape in a geometric grid pattern in black and delicate circular lines in black and dark gray are dynamic against a neutral beige background. The layered shapes suggest a sen...

An oval shape in a geometric grid pattern in black and delicate circular lines in black and dark gray are dynamic against a neutral beige background in this abstract painting in acry...

In this horizontal landscape painting in ink and oil on paper mounted on panel, the artist's unique ink process creates soft striations of bright pink, dark crimson red, pale yellow and orange at the center of a layered, undulating composition. The result is an abstract landscape suggesting a hilly mountain range, while layers of oil paint and a soft, faint background create depth within the surface. Signed, dated and titled on verso. Shane McAdams’ work is about landscape in the broadest sense. The artist grew up in the desert southwest...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

In this horizontal landscape painting on panel, a sense of wonderment and whimsy is conveyed in McAdams' blending of fantasy and realism. The artist's unique ballpoint ink process creates striations of bright pink, blue, and yellow in vertical stripes across the background. Hot air balloons float through a colorful striped sky, while layers of resin suggest depth within the surface. A vast mountain range is depicted in oil along the bottom of the composition. Signed, dated and titled on verso. McAdams’ work is about landscape in the broadest sense. The artist grew up in the desert southwest...

Vibrant metallic silver and bright teal blue encaustic (pigmented beeswax) painting on birch panel accented with bright blue edges. Signed and titled on verso. Joanne Mattera’s pain...

Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...

Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...

Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...

Composition in Red - Framed. French American Frédéric Choisel is inspired by the cities of France, New York and the Bay Area and creates elegant abstractions that tell a story of urb...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...