Yolanda Sanchez

There is Only the Dance, Large Abstract Oil Painting in Red, Pink and Green

2015

In this abstract painting on canvas, the properties of abstract curvilinear forms are investigated through layered, oval forms in shades of blue, green, teal, mauve and light dusty rose. Signed on verso. Margaret Neill draws and paints to investigate the properties of abstract curvilinear forms found in the localized conditions of her surrounding environment. This experience is sublimated in a process both primal and analytical in developed drawings and paintings that are composed of deeply layered intersecting geometries and invite the viewer to contemplate presence in the fluidity of time. Neill's drawings and paintings have an auditory influence described through pulsing, skeins of line that reflect patterns of tension and forces of frequency. Like sound waves, diagnostic patterns or aural imagery these drawings reflect amplitude and dimension through interior as well as exterior space. Linear or solid, dense or transparent, the drawings move from one to the next in ephemeral yet solid works that celebrate light and space. The pressure and buoyancy of the unfolding shape propels each work forward. Margaret Neill’s work has been reviewed in Art in America and Art News, The Brooklyn Rail, and The New York Sun...

Layered, circular shapes in orange, indigo blue, green and teal are eye-catching on a multicolored, jewel-toned background. Framed in a thin, light natural wood float frame with a ru...

Speaking to its title, The Happiness of Birds by Yolanda Sánchez suggests a state of Elysium through color and paint strokes. Vibrant hues of green, violet, periwinkle, and teal danc...

Thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are cheerful in bright, exuberant color. Little moments in vibrant sha...

Within undulations in shades of blue with hints of pale pink and dark red, Margaret Neill investigates the properties of abstract curvilinear forms found in the localized conditions of her surrounding environment. This experience is sublimated in a process both primal and analytical in developed paintings that are composed of layered intersecting geometries and invite the viewer to contemplate presence in the fluidity of time. The pressure and buoyancy of the unfolding shape propels each work forward. Signed on verso. Margaret Neill’s work has been reviewed in Art in America and Art News...

A lively, bright red botanical pattern against a mauve background with a deep cobalt blue bird perched on a tree. Signed, dated and titled on verso. Pastoral and bucolic still life...

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas

Oil on canvas