Yolanda Sanchez

A Verdant Heart, Large Square Abstract Blue Green Purple Oil on Canvas Painting

2017

Thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations in cheerful, exuberant color. Little moments in vibrant shades of oran...

In this abstract painting on canvas, the properties of abstract curvilinear forms are investigated through layered, oval forms in shades of blue, green, teal, mauve and light dusty rose. Signed on verso. Margaret Neill draws and paints to investigate the properties of abstract curvilinear forms found in the localized conditions of her surrounding environment. This experience is sublimated in a process both primal and analytical in developed drawings and paintings that are composed of deeply layered intersecting geometries and invite the viewer to contemplate presence in the fluidity of time. Neill's drawings and paintings have an auditory influence described through pulsing, skeins of line that reflect patterns of tension and forces of frequency. Like sound waves, diagnostic patterns or aural imagery these drawings reflect amplitude and dimension through interior as well as exterior space. Linear or solid, dense or transparent, the drawings move from one to the next in ephemeral yet solid works that celebrate light and space. The pressure and buoyancy of the unfolding shape propels each work forward. Margaret Neill’s work has been reviewed in Art in America and Art News, The Brooklyn Rail, and The New York Sun...

Through undulations in shades of blue with pale peach, coral, ivory and hunter green, Margaret Neill explores the properties of abstract curvilinear forms found in the localized conditions of her surrounding environment. This experience is sublimated in a process both primal and analytical in developed paintings that are composed of layered intersecting geometries and invite the viewer to contemplate presence in the fluidity of time. The pressure and buoyancy of the unfolding shape propels each work forward. Signed, dated and titled on verso. Margaret Neill’s work has been reviewed in Art in America and Art News, The Brooklyn Rail, and The New York Sun...

Layered, circular shapes in orange, indigo blue, green and teal are eye-catching on a multicolored, jewel-toned background. Framed in a thin, light natural wood float frame with a ru...

Speaking to its title, The Happiness of Birds by Yolanda Sánchez suggests a state of Elysium through color and paint strokes. Vibrant hues of green, violet, periwinkle, and teal danc...

Lively abstract brushwork in bright pink, yellow, purple and lush green against a peach, pink, red, burgundy, white and gray background suggests flowers and botany. Signed, dated and...

Deep End II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 200 × 130 cm (78.7 × 51.2 in). The artwork is signed, sold unframed and co...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...