Zsolt Berszán

Untitled 06 - Contemporary, Abstract Drawing on Canvas, Organic, Minimalist

2017

Untitled 05, 2017 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

Untitled 04, 2017 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in. 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on...

Untitled 02 (Remains of the Remains), 2021 Graphite on canvas 78 37/50 H x 55 6/50 W in. 200 H x 140 W cm The new series of large-sized paintings, signed by Zsolt Berszán, created i...

Untitled 02, 2016 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

Untitled 03, 2016 Wax crayon on canvas (Signed on canvas) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on w...

Untitled 01, 2016 Wax crayon on canvas (Signed on reverse) 78.74 H x 59.05 W in 200 H x 150 W cm Zsolt Berszán treats the first layer of the drawing as a substrate, as a surface on ...

Mel began her artistic career as a devoted clay sculptor. However, as time passed, she began to long for a change. Several years back she explored new options while exhausting more mediums than she can recall. It was during this period that she discovered a small batch of beeswax left behind from the last of her grandfather's beehives. Mel's grandfather, Sam Sekerak, spent his childhood in Russia where he was inspired to build an apiary farm. His dream came true as an adult in the States where he built and farmed his own set of beehives. As a young girl, Mel felt such a sense of peace walking amongst her grandfather's hives. She developed a very deep connection, respect, and appreciation for Mother Nature. Like many artists, she is a constant source of inspiration. This connection along with that old batch of beeswax is what led my transition away from clay and into encaustic painting (painting with molten beeswax). She is grateful for the intense labors of the beautiful honeybee, and consider beeswax a unique gift to be treasured. As a strange twist of fate, her name is translated in the Greek word for "honeybee". She loves traditional Japanese pottery and contemporary Japanese painting. The soft satin finish of the beeswax along with the ability to incise elegant clean lines, was just what she'd longed to achieve. While many Japanese works of art...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Tradi...

Phyllis Ciment Abstract Pastel Painting c.1970s Red, white and blue - Fine colorful abstract painting 24" wide x 18" high The frame measures 33" wide x 28" high Signed by the art...

Henry Elinson (Russian) original pastel, circa 1990 large Modernist pastel painting by noted Russian artist Henry Elinson (1935-2010) Striking colors, bold design, magnificent orig...

Anthony Benjamin, 'Untitled', watercolour and pastel on paper, image size 16.5cm x 23cm, framed size, 27.5cm x 33.75cm, signed and dated 2000 Provenance: From the Artist Estate A Gallery Certificate accompanies the painting Anthony Benjamin was a 20th Century abstract precisionist artist. Born in London in 1931 he was active throughout the second half of the 20th century. Experimental, hugely talented and obsessive, Benjamin moved fluidly between mediums and refused to be tied to any practise. He trained with the best, amongst others with Hayter at Atelier 17 in Paris and was recognised by the Royal Society of the Arts, his pier group and leading Galleries and Institutions who displayed and collected his work. Anthony Benjamin was also daring. At at time when the art-world was fixated with the St Ives Group of artists, Benjamin, who was part of this group, chose to leave. Although adept at making St Ives abstractionism it did not sit naturally with him. He did not see value in its art. Instead he sought to replicate abstraction in nature and was inspired by others who had also mastered this craft such as the Composer Brian Eno, who he later collaborated with and Gnawa musicians of Morocco. A trained engineering draughtsmanship, Benjamins formally perfect artworks are always infused with an air of technical experimentation and a poetic response to the natural world. The artist was inspired by pattern and obsessed with process. He was a sculptor, printmaker, painter, draughtsman and used collage, canvas, brass, perspex, steel, paper and anything that inspired him. Throughout his career, Benjamin made monumental paintings. In the studio he thought, pondered and considered every move. It was during these periods of contemplation that he would make warm up paintings that were beautifully loose and almost the antithesis in process to his large works. However it was in these smaller watercolour paintings...