Alejandra Quintanilla

Untitled X, One of a Kind Oil on Paper, Unframed

2019

Formas, 2019 by Alex Quintanilla Oil on paper One of a Kind Paper size: 16 in H x 12 in W Unframed _____________________________ Alejandra Quintanilla graduated with a degree in Arts...

Formas, 2019 by Alejandra Quintanilla Oil on paper Paper size: 22 in H x 30 in W A drawing is a brand, which becomes a picture and leaves remain...

Formas, 2019 by Alex Quintanilla Paper size: 12 in H x 16 in W Oil on paper One of a Kind Unframed _____________________________ Alejandra Quintanilla graduated with a degree in Arts...

CMYK II, Expanded Metal Painting, 2023 by Clemens Wolf From the series Expanded Metal Paintings Oil on paper Size: 48 H x 63 W cm. Unpacked: 6 kg Approx. Hand-signed back by the arti...

CMYK I, Expanded Metal Painting, 2023 by Clemens Wolf From the series Expanded Metal Paintings Oil on paper Size: 48 H x 63 W cm. Unpacked: 6 kg Approx. Hand-signed back by the artis...

CMYK I and II, Expanded Metal Painting. Diptych, 2023 by Clemens Wolf From the series Expanded Metal Paintings Oil on paper Overall size: 48 H x 126 W cm. Individual size: 48 H x 63 ...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...