Alice Zilberberg

Stay Me Deer (60" x 65")

2019

Bear With It Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 32 in Edition of 15 40 x 42 in Edition of 12 60 x 62 in E...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30” x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist...

Series: Indulgence Silver Gelatin All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields is a photograph...

Series : Decadence Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 22.5" x 30" 30" x 40" 45" x 60 54" x 72" 63" x 84" Edition of 3 + 2 Artist Proofs Tyler Shields i...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proo...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs T...

This multimedia pieces is composed of two identical horse portraits with a red background. These horses are transfered photographs with paint and resin coating to finish. Anke Scho...

Three black brushstrokes representing ground and rapid dashes of black, drizzled and brushed form the profile of a dog, his leash flying upwards in this work on paper. Off leash parks in Toronto where dogs run free, are places of joy for pets and their owners. The essence of this abandon is depicted with humorous affection by Fernie, a masterful story-teller. Framed size is 50 x 36 inches. Lynne Fernie is a Toronto artist...

This is a 6 x 9 ink work on paper from the "Snoopies" series. Drawing Snoopy as a kid was common in my generation. Cloning this dog into a team who operate on instinct, gives levity,...

ink and watercolor on paper, 26"x 30" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

78” x 42” ink and watercolor on paper, signed on reverse by the artist, Jesse Lambert. The abstract ground of washes of green, blue, orange and rose tones over white create an active field of color. The imagery of hummingbirds and bird feeders amongst graphic representation of trees, leaves and branches are created with defined black inkwork lines. Pattern and repetition with the vertical tree trunks, are intersected with cross sections of lumber with beautiful wood grain. This large scale painting is featured in "Shelter, Scatter, Feed" a solo show of new works by Jesse Lambert. Front Room Gallery is proud to present a solo exhibition of new works on paper by Jesse Lambert, titled, "Shelter, Scatter, Feed". This is Jesse Lambert’s second solo show at Front Room Gallery. In this exhibition, Lambert continues to explore themes of shelter, safety, and the passing of time. His ink and watercolor paintings on paper depict abandoned scenes in an abstracted rural space. In previous works, Lambert combined the spaces of domesticity and the natural world, with an occasional appearance of the human figure. His new work contemplates the new reality under COVID-19, and continues to evoke the universal need for shelter and protection. In these paintings Lambert imagines the world abandoned by human inhabitants, reclaimed by nature- as if the world has moved on, without us. In this series, 
Lambert’s familiar color washes have taken on a more natural hue. Lambert presents a grouping of medium sized paintings which explore the theme of birdhouses as a metaphor for human needs. The birdhouses are falling apart or incomplete, dysfunctional structures failing to meet their stated function. In his larger paintings, remnants of built structures of unknown use are scattered across a forested setting. Strips or planks of wood are nailed to tree trunks. A broken ladder promises ascent, but falls apart. Fragments of wood and string hint at former use, yet all vestiges of functionality have disappeared. Abandoned bird feeders swing precariously. Within the chaos of darting birds, falling leaves and flowers, and remnants of built space, a pattern almost emerges. These paintings emote a feeling of webbed interconnectedness that reveals the beauty of decayed things, and an allure of the poignancy of impermanence. In a series of smaller black and white drawings...

HELMUT KOLLER Born 1954, Hartberg, Austria, Resides Palm Beach, Florida and Vienna, Austria Helmut Koller is mainly known for his colorful, bold and festive paintings of animals which are collected on four continents, America, Europe, Asia and Africa. Koller grew up in the beautiful Austrian countryside. After completing his training as a photographer and a brief professional detour to Germany he became the official photographer for the Vienna State Opera back home in Austria. For seven years he photographed superstars like Luciano Pavarotti, Placido Domingo, Leonard Bernstein and Rudolf Nurejev. Within that period Helmut Koller co-wrote, photographed and designed his first book called WOMEN OVER 30. Two more books followed. ELEKTRA, about the movie production of the Richard Strauss opera and OPERA LIVE, a coffee table book about the Vienna State Opera. Feeling confined in Europe and eager for the ambition of America, Koller moved to Manhattan then Palm Beach, Florida where he now resides. In 1987, with his first collection of paintings, "Homage to Egon Schiele", Koller made the transition from photography to painting. The artist then turned his interest to historic portraits of the Native Americans. Figurative paintings...