Ariel Vargassal

"All The Way Home" Realistic Metaphoric Painting of Man & Bear with Stuffed Toy

"Little Pond" is a framed acrylic on canvas painting by Ariel Vargassal, depicting a man in a suit partially submerged in water with koi fish and a pint of ice cream. The hyperrealis...

"Nearly Camouflaged Cow III" is a framed acrylic painting on canvas by Joshua Brown, depicting a closeup of a cow with a prominently pink nose. This playful work features careful bru...

"Tangled" is a framed acrylic work on canvas by Ariel Vargassal, depicting a figure in a suit tangled in yarn while also holding aloft a spider monkey. The hyperrealistic style inclu...

"The Path Is Made By Walking" is a framed acrylic work on canvas by Ariel Vargassal, depicting a champagne horse with a crow on its back being led by a figure out of frame of the com...

"Sugar Heist" is a framed acrylic work on canvas by Ariel Vargassal, depicting a figure in a suit jumping alongside two lemurs holding iced sugar cookies. The hyperrealistic style in...

"Populus: Helium Hare" is a framed giclee print on canvas by Craig Alan, depicting a crowd of figures around a large balloon bunny set amid architectural white boxes. This giclee is ...

Ifeoluwa Alade ( Nigeria based) "Grow with Me I" is an original, handmade acrylic painting that depicts flowers and butterflies with a heavily textured pink background. Artist bio:...

Ifeoluwa Alade ( Nigeria based) "Grow with Me II" is an original, handmade acrylic painting that depicts flowers and butterflies with a heavily textured tan background. Artist bio:...

Conrado López's "Rooster," a 2023 artwork, is a striking representation of the vibrant and spirited nature of its subject. Crafted with acrylic, gold leaf, and oil on a canvas measur...

Conrado López's "Peacock," a 2023 original, masterfully marries acrylic, gold leaf, and oil on canvas in a piece measuring 100 x 65 cm (39.37 x 25.59 inches). This artwork, presented...

Stacy D'Aguiar's (US based) "Hybrid 11" is an acrylic painting that depicts a colorful butterfly and beetle transposed on a teal background. Artist Statement: My paintings are channeled, Visual Dreamscapes in connection with Unseen Frequencies of the Universe. My exploration of the surreal investigates the mysteries of the energy that connects all things, and the mind's potential to heal through imagery. Each piece is infused with Reiki Healing Energy (a universal healing technique) and Sacred Geometry Symbols, which elevates each magical creation energetically, and emits positivity, peace and tranquility. By showcasing alternate realities on diverse elemental canvases, my art is designed to inspire others to see the nature of the world around and within, as well as influence a sacred space for awakening. I offer you a journey through the garden of my Visions and allow the gift of healing to revive the sacred breath of Oneness. {Sacred Geometry} is a term used to describe patterns, shapes and forms that are part of the make up of all living things and that regularly occur in nature. It is system of universal design in which the energy of creation organizes itself into form. Bio: Stacy D’Aguiar (born in 1974) is a San Diego artist who creates dreamy visual treats using a delightfully vibrant palette and intriguing subject matter, to compose a feast for the eyes and mind. She’s a full-time artist spending most of her days in her studio in North Park creating paintings for collections and exhibits all over the country. Stacy received a BA in Graphic Design from Virginia Tech where she was also enrolled in many art classes ranging from life drawing and painting, to sculpture and digital, but mainly a self-taught artist. She pursued her design career after graduating in 1996, and used her drawing and computer skills to design t-shirt art, toys, costume art, logos, and corporate branding, and more. She picked up a paintbrush again in 2002 and worked in oil, painting mostly fantasy and surreal. Stacy has made her living painting abstracts, landscapes and surrealism since 2010, collaborating with designers, art reps and galleries in Orange County, Laguna Beach, Santa Fe, Charleston, and LA, to name a few. Her work has shown at SCOPE Art Miami, the Laguna Art Museum, Art San Diego, and Art Santa Fe, and published in PoetsArtists, California Homes Magazine, Luxe Magazine, Pacific Magazine, and Nug Magazine. She’s collaborated with Clive...

Kierstin Young's (US based) "Tierra" is an acrylic and oil painting depicting a Comet Moth and it's yellow and red designs Artist Statement/Bio: (b. The Year of the Rabbit) Kierstin's life began by almost never beginning at all. A car accident occurred while Kierstin’s mother was pregnant with her. The doctors advised against continuing the pregnancy for fear that Kierstin would be born without limbs or even blind. Her parents decided against it, and Kierstin was born a healthy child. This story was relayed to her as a child as a reminder of how serendipitous her life was. Kierstin was always filled with an overflowing energy and creativity. This led her on many diverse paths in life. Her many areas of focus included psychology, poetry, photography, mountaineering, religious studies, music, playing ice hockey, spelunking and pretending to be an astronaut. She grew up between two places; the first was a house built on Native American burial grounds in rural New Jersey. The second was a summer home in the beautiful Adirondack Mountains of New York. For the first sixteen years of her life, she was home taught by an assortment of sane and insane people. Her junior year she began the strange new adventure of going to school. She was most likely the only 16 year old in the world to be that ecstatic about riding a school bus, because it was for the first time in her life. It was there in public school, that her art teachers really encouraged her to pursue her love of art. Hopes were high for going to art school, but Kierstin found herself forbidden from even applying by her parents. She applied anyway. Upon getting rejected from prestigious art schools such as RISD and Parsons, Kierstin decided to attend duCret school of Art. Being rejected turned out to be a serendipitous turn of events for Kierstin once again. It was there at duCret that she met Timothy Jahn and began studying in his Academy duCret and subsequently Jahn Studios. This lead her to continue her education at the Ani Art Academy under the direction of Anthony Waichulis.