Diana Kurz

Dix/Dixie

2020

Yookan Westfield Orange Cat's Thoughts, 2022 Oil on linen painting 24 × 24 × 2/5 inches This is a unique work Signed twice: Hand signed on the front; bears artist's handwritten label...

Tom Judd Casey (for the "Patrick Eddington Cat Project), 2000 Acrylic, Mixed Media and Metal painting on board Signed and dated in pencil on the front 12 × 10 1/2 inches This is a unique painting Tom Judd Biography This is a lovely mixed media painting by popular Philadelphia based artist, Tom Judd. Provenance: Estate of Patrick Eddington. Patrick Eddington was a Utah school teacher who had the improbable idea of writing to his favorite artists and asking them to draw or paint pictures of cats. “This project is a labor of love," Eddington wrote of his endeavor in a 2004 letter. “It will culminate as a large book and traveling exhibition. It will also help Best Friends Animal Sanctuary. I’ve asked individuals I admire to create cat-related works. They are not the typical cat images but creative works.” Patrick Eddington passed away in early 2016 and his vision was, unfortunately, never realized. Nonetheless, artists like Keith Haring, Joel Peter Witkin...

Thelma Appel Strang Lake, 2010 Oil on Canvas painting Hand signed, dated and titled on the back Held in original artist frame 30.5 inches (vertical) x 40.5 inches (horizontal) x 1.5 ...

Thelma Appel Times Square V, 2015 Oil on canvas Signed, dated and titled by the artist on the back Frame Included: held in the original artist's frame Measurements: Frame: 60.5 x 48.5 x 2.5 inches Artwork: 60 x 48 inches Part of Thelma Appel's Times Square series of paintings which were exhibited at the Chashama Foundation in New York City in 2021, and in the invitational exhibition "New York and No Place Else: Art that Celebrates New York" at 320 West 23rd Street in Chelsea, Manhattan. A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka, and has been exhibited in both one-person and group shows at Alpha 137...

Thelma Appel Justice, 2009 Oil on Canvas Hand signed, titled and dated on the back of the canvas Frame Included: held in the artist's original frame. Can be hung as is, or re-framed ...

David Humphrey Trophy (Museum of Contemporary Art, Chicago), 1983 Oil on Canvas painting Signed Twice: Hand signed and dated verso, also artist has signed his name and written his ho...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams to life. Like a rush of blood to the head, inspiration for his next painting overwhelms Moscow realist Stanislav Plutenko with authority — and the artist must act quickly to record his visions before they fade. “At times when I look at the snow-white canvas in front of me, I see obscure images and my mind tries to freeze the moment and not lose any of those feelings or visions,” he writes. “I try to complete and develop these visions in order to transmit the fragile world that I see onto the canvas.” For Plutenko, this fragile world, experienced during his travels abroad to Asia, the Middle East, and India, are focused and reinterpreted artistically. He continues, “Inspiration comes like a hallucination or a vivid dream that only children have. With time, these dreams become bleaker, fainter, and disappear. First, I feel nostalgic, then the artistic drive takes over, I dissolve into the canvas, losing all track of time.” “Cock Fight” is a representative example, recording Plutenko’s observations from India, Pakistan, and the Middle East. As he draws upon his love of Orientalism, we find an energetic group of men who crowd around a pair of cocks, their feathers raised in powerful, aggressive fashion. Despite the painting’s subject, the painting is — in fact — an intense study of emotion, individuality, culture, and expression. Plutenko writes, “This painting is an illustration of human passions and the human character. There are mixed emotions in this work — the excitement of the approaching victory, greed, cruelty, and disappointment. So many emotions at the same time — a treasure trove for genre painting.” Indeed, each onlooker is treated with astonishing sensitivity, their expressions, gestures, individuality, and emotions captured with clarity. The captivating composition and attention to each character recall the traditional works of Baroque masters and has a timeless quality. “Christ in the Desert” is a fantastic modern reinterpretation of a traditional artistic theme. Sitting at center among piles of rubbish and debris, a weary Christ appears in worn white and green robes. Christ does not engage the viewer, but gazes downward with a saddened expression. “This painting is how I see the second coming of Christ,” writes the artist. “War and urbanizations have ravaged the land, physically and spiritually. Who should be saved? Who will listen to the truth?” Especially fascinating is how open Plutenko is to his artistic communication, describing himself like a chef who has several key ingredients or spices at his disposal. He writes, “I am like a chef who has several spices (themes) in my arsenal — Romanticism and sugar, Surrealism and salt, Orientalism and spice, the grotesque and hot peppers. I mix everything and hope to nourish the world with the ‘soup.’” Indeed, Surrealism comes to the fore in works like “Tree-Cloud,” which recalls the famous poetic tale The Little Prince by French poet Antonie de Saint-Exupéry. The painting here shows an otherworldly escape in the clouds. Plutenko describes, “‘Tree-Cloud’ is my escape from the big world into a tiny, quiet and cozy world.” In the future, Plutenko wants to continue pushing his artistic boundaries and working in a variety of mediums. “There are times that I wish to get away from the usual subject matter and paint a series of works that are uncharacteristic of my usual style,” he asserts. “Maybe someday I will do something under a pseudonym!” Plutenko is currently represented through a number of galleries and private collections in the United Kingdom, Germany, Canada, Monaco, Finland, France, Switzerland, and the United States at East West Fine Art...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

The painting depicts a French cuirassier in full combat gear on a mounted patrol, peering into the distance... The powerful physique of the rider and his horse inspires awe and fear ...