Luke Autrey

Blue, Realism, Texas Artist, Realist, Light and Shadow

2021

Galopando-Galloping Cuban Figurative Young Liz Taylor Horses Giant Marfa Oil is by Cuban artist ANDRES RETAMERO VALENZUELA . Andres Retamero was born ...

Jeanie Tomanek: I don’t intentionally set out to make a calming painting, no, but I do try to have a sense of hope in my stories. I’m an optimist who believes there’s always some way...

Tomorrow is another Day by E. Melinda Morrison is 24 x 30, egg tempera on ACM panel. Framed in a black 3-1/2" gilded frame. Tomorrow is Another Day received honorable mention at t...

Roaming Around is a Monotype with Collage and displays bold and bright colors to highlight this abstract figurative work of art. This is a new series of monotypes/collages by Charlotte Seifert...

The Barn is a1 of 1 Monotype with Collage and displays bold and bright colors to highlight this abstract figurative work of art. This is a new series of monotypes/collages by Charlotte Seifert that she began doing in 2021. It is 1/1 on paper in a custom frame which measures 23 x 23 framed. It is protected by conservation Plexiglass. The piece of art is 1/1 and was produced in 2022. Also shown are others available on 1stdibs. The images are hand cut and attached to the monotype print. This is the only print so that is why it is a monotype. This Houston based artist has been making art for most of her life. She was trained at SMU where she earned her BFA and MFA in painting. Her first art instructor was Roger Winter...

Evening is a1 of 1 Monotype and displays bold and bright colors to highlight this abstract figurative work of art. This is a new series of monotypes by Charlotte Seifert that she began doing in 2021. It is 1/1 on paper in a custom frame which measures 23 x 23 framed. It is protected by conservation Plexiglass. The piece of art is 1/1 and was produced in 2023. Also shown are others available on 1stdibs. The images are hand cut and attached to the monotype print. This is the only print so that is why it is a monotype. A monotype is a print, but with one major difference from other printmaking processes: the artist creates exactly one print, instead of multiples (called editions). This is due to the way a monotype is made. To make a monotype, the artist applies paint or ink directly onto the plate — which can be metal, glass, plexiglas, or even gelatin. The plate is pressed against the paper to transfer the ink. (So the finished print is a mirror image of what’s on the plate.) The printing can be done with a printing press or sometimes by hand. It’s a simple process that allows for lots of experimentation and variation. The artist can create layered prints, use objects as masks between plate and paper, or selectively apply pressure to create a trace monotype. Charlotte's work is largely abstract with landscape and nature elements incorporated into her work. Her inspiration comes from themes in literature, theology and personal history. Evoking an emotion or sense of place is Charlotte's focus rather than depicting a specific setting or rendering a certain object. Nature has become a metaphor for her for the current of constant change in life and love. This Houston based artist has been making art for most of her life. She was trained at SMU where she earned her BFA and MFA in painting. Her first art instructor was Roger Winter...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko...

Characterized by his deeply honest means of expression and fascination with Orientalism, Surrealism, and social commentary, Moscow painter Stanislav Plutenko brings his vivid dreams to life. Like a rush of blood to the head, inspiration for his next painting overwhelms Moscow realist Stanislav Plutenko with authority — and the artist must act quickly to record his visions before they fade. “At times when I look at the snow-white canvas in front of me, I see obscure images and my mind tries to freeze the moment and not lose any of those feelings or visions,” he writes. “I try to complete and develop these visions in order to transmit the fragile world that I see onto the canvas.” For Plutenko, this fragile world, experienced during his travels abroad to Asia, the Middle East, and India, are focused and reinterpreted artistically. He continues, “Inspiration comes like a hallucination or a vivid dream that only children have. With time, these dreams become bleaker, fainter, and disappear. First, I feel nostalgic, then the artistic drive takes over, I dissolve into the canvas, losing all track of time.” “Cock Fight” is a representative example, recording Plutenko’s observations from India, Pakistan, and the Middle East. As he draws upon his love of Orientalism, we find an energetic group of men who crowd around a pair of cocks, their feathers raised in powerful, aggressive fashion. Despite the painting’s subject, the painting is — in fact — an intense study of emotion, individuality, culture, and expression. Plutenko writes, “This painting is an illustration of human passions and the human character. There are mixed emotions in this work — the excitement of the approaching victory, greed, cruelty, and disappointment. So many emotions at the same time — a treasure trove for genre painting.” Indeed, each onlooker is treated with astonishing sensitivity, their expressions, gestures, individuality, and emotions captured with clarity. The captivating composition and attention to each character recall the traditional works of Baroque masters and has a timeless quality. “Christ in the Desert” is a fantastic modern reinterpretation of a traditional artistic theme. Sitting at center among piles of rubbish and debris, a weary Christ appears in worn white and green robes. Christ does not engage the viewer, but gazes downward with a saddened expression. “This painting is how I see the second coming of Christ,” writes the artist. “War and urbanizations have ravaged the land, physically and spiritually. Who should be saved? Who will listen to the truth?” Especially fascinating is how open Plutenko is to his artistic communication, describing himself like a chef who has several key ingredients or spices at his disposal. He writes, “I am like a chef who has several spices (themes) in my arsenal — Romanticism and sugar, Surrealism and salt, Orientalism and spice, the grotesque and hot peppers. I mix everything and hope to nourish the world with the ‘soup.’” Indeed, Surrealism comes to the fore in works like “Tree-Cloud,” which recalls the famous poetic tale The Little Prince by French poet Antonie de Saint-Exupéry. The painting here shows an otherworldly escape in the clouds. Plutenko describes, “‘Tree-Cloud’ is my escape from the big world into a tiny, quiet and cozy world.” In the future, Plutenko wants to continue pushing his artistic boundaries and working in a variety of mediums. “There are times that I wish to get away from the usual subject matter and paint a series of works that are uncharacteristic of my usual style,” he asserts. “Maybe someday I will do something under a pseudonym!” Plutenko is currently represented through a number of galleries and private collections in the United Kingdom, Germany, Canada, Monaco, Finland, France, Switzerland, and the United States at East West Fine Art...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf,...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...