Shelley Reed

Tawny Owl (after Berjer and Van Kouwenbergh)

2016

Charley Snow currently lives in Helper, Utah—a small coal-mining town about 100 miles south of Salt Lake City. He earned his BFA from the University of Utah in 1998. Since graduation he has served, as David Dornan...

"As a human exercising what little political power I might have, I struggle to campaign for nature and to remind all humans of our responsibilities as stewards of this planet. Art be...

This is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

This piece is a diptych. Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studie...

Ambrosia, Owl #9 from "The Wise Guys" series is a poppy and fun painting on Fabriano paper depicting a Blue Owl. The painting is in a white box frame. Ambro...

Vibrant figurative of abstracted fish in coral reef by John Stenvall (American, 1907- 1998), circa 1990. Signed left edge. Presented in gilt-toned frame under glass. Image size: 6"H ...

Sichuan Forest (2019), oil painting, ecosystem, animals, panda, monkey, fauna "Sichuan Forest" by Alexis Kandra. Figurative oil painting with pigmented metal foil in metallic green ...

Arctic Tundra (2019), oil painting, ecosystem, animals, pastels, polar fauna "Arctic Tundra" by Alexis Kandra. Figurative oil painting with holographic foil on wood panel. Arctic tundra ecosystem, animals of Tundra biome, Arctic Circle, North Pole, South Pole, Alaska, Canada, Russia, Greenland, Iceland, Scandinavia, Antarctica, fauna. Arctic hare, polar bear, caribou, Arctic fox, Arctic tern...

Amazon River (2019), oil painting, ecosystem, animals, pastels, jaguar, fauna "Amazon River" by Alexis Kandra. Figurative oil painting with holographic foil on wood panel. Amazonian ecosystem, animals of Amazon River Basin and Rainforest, South America, fauna. Jaguar, tapir, Amazon river dolphin (aka pink dolphin...

Heroes and Riders are among Apostolos Chantzaras' favourite themes. The story of a hero or saint fighting a dragon is universal, and understood throughout many cultures. With his own...