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William Albert ClarkBroadwood, 19th century English portrait of a horse in a stable with landscapeCirca 1890
Circa 1890
About the Item
William Albert Clark (1851–1925)
“Broadwood” – Portrait of a Hunter in a Stable
Circa 1890
Oil on canvas
Signed lower right
Original English oak frame
A distinguished late Victorian portrait of the hunter Broadwood, painted by the accomplished English sporting artist William Albert Clark. The horse is depicted standing proudly within a stable interior, illuminated by warm afternoon light filtering through an open doorway. Clark’s careful observation of equine anatomy and his sensitive handling of light and texture create a portrait that is both intimate and dignified, capturing the noble character of a much-valued horse.
The composition is particularly appealing. Broadwood stands quietly upon a bed of golden straw, his dark bay coat rendered with rich tonal depth and subtle highlights that reveal the artist’s considerable skill as an animal painter. The simple stable setting, with a folded stable rug hanging nearby and a glimpse of the landscape beyond, provides a restrained backdrop that allows the horse to remain the undisputed focus of the work.
William Albert Clark was among the notable British sporting and equestrian painters of the late nineteenth and early twentieth centuries. Working during the great age of horse breeding, hunting, and racing in Britain, he developed a reputation for producing accurate and sympathetic portraits of hunters, racehorses, and carriage horses. His works were sought after by owners wishing to commemorate particularly successful or beloved animals, and today his paintings remain highly regarded among collectors of sporting art.
Unlike many formal equine portraits of the period, this work possesses a quiet domestic quality. The horse is presented not in competition or on parade, but within the familiar surroundings of the stable, offering a more personal glimpse into Victorian sporting life. The original English oak frame further complements the character and authenticity of the picture.
A charming and highly decorative example of late Victorian sporting art, combining strong equestrian draughtsmanship with a warm and atmospheric stable interior.
- Creator:William Albert Clark (1880 - 1963, British)
- Creation Year:Circa 1890
- Dimensions:Height: 30 in (76.2 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting has been recently cleaned and revarnished.
- Gallery Location:Woodbury, CT
- Reference Number:1stDibs: LU507318149152
William Albert Clark
As the Son of Albert Clark and Grandson James Clark, William Albert Clark comes from a background of acclaimed animal artists. Although William was actually registered as ‘Albert William’, he was formerly known by his middle name to avoid confusion with his father. Learning from his predecessors, William Clark specialized in the painting of horses and sometimes painted them with their riders or with their carriage and driver. Similarly, he would often create portraits of prize cattle and dogs. In a similar way to James Clark – William’s Grandad – dedicating “The Runaway Horse” to his son Albert, Albert Clark attributed a recreation of the same painting to William Albert Clark under the new title ‘Breaking Loose’. To obtain commissions for his work, William Albert Clark was often required to travel and he stated on his card “Gentlemen waited upon in any part of the country”. To try and gain more work under the impression that William Clark was a member of the Royal Agricultural Society, aside from his usual signature of W. A. Clark, William would often add the letters RAS.
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